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Jenny Duck-Chong

Random Audio Sample: No ordinary traveller : for mezzo-soprano and mixed trio by Katy Abbott Kvasnica, from the CD domestic sublime

Mezzo soprano Jenny Duck-Chong has established herself as a versatile and intelligent musician. She is sought after by Sydney's finest vocal ensembles and has performed extensively with Opera Australia, Pinchgut Opera, The Song Company and Cantillation. Equally comfortable as a soloist, she has worked with conductors such as Reinbert de Leeuw, Gianluigi Gelmetti, Christopher Hogwood and Jane Glover and ensembles as varied as the Sydney Symphony Orchestra, Sydney Philharmonia and the Kevin Hunt Jazz Trio.

Active in the field of new music, Jenny Duck-Chong has worked with contemporary ensembles including the Sydney Symphony Orchestra, Sydney Alpha Ensemble and Ensemble Offspring. She has featured in numerous premiere performances including works by Boyd, Butterley, Edwards, Hair, Gyger, Page, Farr and Whitehead. She is the co-founder and artistic director of Halcyon and with them has commissioned and premiered many Australian works and has also championed international works by Saariaho, Berkeley, Finnissy, Erkoreka, Beamish, Hui as well as many young composers.

Her recordings credits include mezzo soloist on the ABC Classics recording of Fauré's La Naissance de Venus, Teddy Tahu Rhodes CD The Voice and Pinchgut Opera's The Fairy Queen and Orfeo, several film scores including The Bank by Alan John, as well as numerous other recordings with Cantillation and Halcyon's own live recordings.

Articles by and about Jenny Duck-Chong

First Stones - a new composer development initiative by Halcyon by Jenny Duck-Chong

Since its inception in 1998, Halcyon has made a very significant contribution to the body of new work for voice created by established Australian composers. This year, the ensemble invites emerging composers from around Australia to take part in FIRST STONES, a new initiative to encourage the development of vocal writing skills. Successful applicants will take part in seminars and workshops in Sydney, with mentorship by Halcyon and composer Elliott Gyger. The project will culminate in November with a performance of the new works by Halcyon, as part of the New Music Network’s 2011 concert series. Deadline for FIRST STONES applications is 14 March.

First Stones - from ideas to fruition by Elliott Gyger

Having participated in numerous composer development programs myself, it is a pleasure and a delight now to be able to pass on the favour to younger composers through taking on the role of teacher and mentor. Halcyon’s First Stones project has been particularly rewarding, as it’s the first program I’ve been in on from the beginning and helped to design...

Supporting emerging composers in Australia by Janine Marshman

The topic of supporting emerging artists was explored by a panel of leaders in the new music community as part of the Aurora Festival of Living Music in Western Sydney in early May 2012.

World premieres given by Jenny Duck-Chong

See, the prismatic colors glisten : for soprano, mezzo-soprano, clarinet, cello and percussion by John Peterson— 15 Mar 14 (Music Workshop,Sydney Conservatorium of Music, NSW)

I lost a world the other day : for mezzo-soprano and cello by Moya Henderson— 15 Mar 14 (Music Workshop, Sydney Concervatorium of Music, NSW)

Dual (duos: soprano, mezzo-soprano with chamber ensemble) by Felicity Wilcox— 26 May 10 (Verbruggen Hall, Sydney Conservatorium of Music)

The mysterious demise of one Brody-Marie : a bellow-drama in seven acts by Nicholas Vines— 31 Mar 01 (Paddington United Church, Paddington)