Linda Kouvaras : Represented Artist
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Photo: John Warren
Artist website: http://www.move.com.au/artist.cfm/582
Artist website: http://www.music.unimelb.edu.au/about/staff/kouvaras.html
Linda Kouvaras is a Melbourne composer, musicologist, and pianist. She has not studied composition formally but co-wrote many songs in the Punk/New Wave band, Voxpop, with co-instigator Richard Ward (see Who's Who of Australian Rock!, Melbourne: Five Mile Press, 2002) during her seven-year Easter break from university studies in the early 1980s. She has benefited greatly from very generous feedback over the years, particularly that from Ward, Brenton Broadstock, Stuart Greenbaum, Richard Zatorski and Katy Abbott Kvasnica. Linda has a proclivity toward text-setting, as well as writing for piano and for strings. Extra-musical catalysts incorporate a wide variety of subject matter; Inflight! (commissioned by the Australian Contemporary Chorale, 2004), for example, is a humorous work, underpinned by a sleazy blues-based line. The far graver Anagnorisis (53 days) mixes neo-modal and minimalist soundworlds.
Recordings of Kouvaras's performances and compositions appear on independent release, with Move Records, and with the ABC. At its release, her CD Kouvaras: Piano Works was CD of the Week on ABC Classic FM. The Sky is Melting by Rothschild-Riddle Duo (Move Records, 2014) includes her eponymously titled work for violin and piano as well as her Bundanon Sonata for Violin and Piano.
Kouvaras has enjoyed four artist-in-residence stays (1999, 2000, 2001, 2010) at the Arthur and Yvonne Boyd Estate, Bundanon, NSW. Festival performances of her works include the National Composing Women's Festivals, The Melbourne Fringe Festival (2001), the Port Fairy Festival (2001 & 2002), and the Perth New Music Week (2001). Deviani Segal and Linda Thompson commissioned her to write Distant Lullaby for their CD of Australian lullabies, Repose, while Ian Holtham has recorded Secrets of the Amphitheatre on Giants in the Land. Other recent commissions include an Arts Victoria grant to write for the Young Voices of Melbourne.
Kouvaras studied piano in the UK in 1984, returning to Melbourne University to complete her AMus in piano (1986), BMus (Hons) (1988), and Master's (1991). She also holds a PhD in musicology (1996). Her piano teachers included Ronald Farren-Price and Max Cooke, while research work was supervised by Brenton Broadstock, Naomi Cumming, and historian David Goodman. In the course of her studies Kouvaras received some 16 prizes/awards/scholarships as well as a Senior Research Fellowship at the Australia Centre.
Kouvaras publishes in contemporary music, both classical and popular, focusing especially on Australian music, postmodernism and gender issues in music. She was awarded an ARC Discovery Project Grant to research issues of postmodernism in contemporary Australian art music (2005-08). Linda is an Associate Professor in Music at Melbourne University; she is a piano examiner for the Australian Music Examinations Board and has been Academic Coordinator in Music and Creative Arts at Ormond College since 1993.
Her book, Loading the Silence: Australian Sound Art in the Post-Digital Age (2013) is published by Ashgate. It won the IASPM-ANZ Rebecca Coyle publication prize in 2014.
Kouvaras writes: 'My composition practice explores various postmodern approaches, including incorporating popular-music styles, minimalism and neo-tonal/modal structures. Extra-musical impetus ranges from humour to the tragic, kitsch to the high-order contemplative - all with the human condition as focal point.'
Linda Kouvaras — current to December 2015
||Bundanon sonata for violin and piano : violin with piano (2011)||Commissioned by Glenn Riddle, Marianne Rothschild.|
|The Lorelei : for SSA choir and piano (2004)||Commissioned by Young Voices of Melbourne.|
|Inflight! : for choir (SATB) and electric bass guitar (2004)||Commissioned by Australian Contemporary Chorale.|
|Pressing the flesh (encore) : for piano trio (2002)||Commissioned by Young Piano Trio.|
|Lysistrata: they are all deserting : for solo violin (2002)||Written on invitation by Matthew Hindson as part of a set of Australian violin miniatures written about, or inspired by a person, place or thing connected with Australia.|
||To enter the dream which includes all dreams : for choir (SATB) and piano (2002)||The first three songs were composed during an artist-in-residence position at Bundanon, the Arthur and Yvonne Boyd estate in NSW, in January 2000|