Vaughan McAlley : Associate Artist
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Photo: Leonie Tonkin
Artist website: http://www.mcalley.net.au
Vaughan McAlley briefly studied flute at the University of Melbourne with Prudence Davis before specialising in composition under Brenton Broadstock and musicology under John Griffiths and John O'Donnell. He spent many years playing in orchestras and developing a firm grasp of instrumentation and orchestration. Since joining the chamber choir Ensemble Gombert in 1999 he has developed a love of Renaissance music and has sung a large number of Renaissance works as well as editing a number of pieces himself.
His main compositional medium is choral music, exploring the potential of the relatively strict rules of Renaissance counterpoint combined with just intonation, a typically choral method of tuning. Major works include the 3rd Sinfonietta for orchestra (2003), Missa Cælestis for choir (2003), Veritas de terra orta est for choir (2005-2009), Four Chorale Preludes in Mass Form for piano (2008), written for Michael Kieran Harvey, Chaconne for double string orchestra (2009). Ensemble Gombert has performed Missa Cælestis in 2007, and Veritas de terra orta est in 2009, both recorded by ABC Classic-FM. For his fortieth birthday party in 2010, Vaughan McAlley organised a performance of Tallis's Spem in alium, and presented the first section of his own forty-part motet, Omnes angeli. In October 2013, after two and a half years of composing, he presented the complete motet in the Dome at 333 Collins Street, performed by Ensemble Gombert and directed by John O'Donnell.
Vaughan McAlley is the principal tenor at Scots Church in Melbourne, was happily married in 2007, has a baby daughter, and enjoys swimming and computer programming.
Vaughan McAlley — current to December 2013