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Asmaradana

Sheet Music: Performance Parts

Asmaradana / by Betty Beath.

by Betty Beath (1994)

  • Sales Availability: This item is available from our hire library.
    Please contact our Hire Department to enquire about pricing and obtain this item.
  • Library Availability: This item is not available from the Australian Music Centre Library
  • Instrumentation: 2 flutes, 2 oboes/cor anglais, clarinets in B flat, 2 bassoons, 2 horns in F, harp, piano, timpani, vibraphone, glockenspiel, suspended cymbal, tam tam, strings.
  • Audio Sample

    Performance by Ray Resnik from the CD Watercolours.


    (this sample is of the Solo Piano version of this work)

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This item is available from our hire library.
Please contact our Hire Department to enquire about pricing and obtain this item.

Product details

Asmaradana, a Javanese song form reserved for themes of heroic or tragic love, originates from the courtly life and music of Central Java. Already well-established by the eleventh century, it endures even today as a well-loved form of expression. I discovered this music through my interest in the poem 'Asmaradana' by the influential Javanese writer and poet Goenawan Mohamad. I originally set this poem for voice and piano using thematic material from a gamelan performance and drew on that material for this orchestral tone poem. I had the great pleasure of introducing this work to an audience in Jakarta, when it was included in a performance given by the Tasmanian Symphony Orchestra conducted by Richard Mills during the Music of Australia program held during the Trade and Cultural Mission in Jakarta, Australia Today Indonesia 94.

Published by: Australian Music Centre — 1 set of performance parts

Difficulty: Advanced

Duration: 5 mins

Dedicated to Tasmanian Symphony Orchestra

Commissioned by Richard Mills for performance by Tasmanian Symphony Orchestra.

First performance by Tasmanian Symphony Orchestra, Richard Mills, Taman Ismail Marzuki — 18 Jun 94. Jakarta, Java

Asmaradana is the name given to a Javanese song-form reserved for songs of love. The classic form of the asmaradana was well established in the 11th century and continues as a well-known well-loved form of expression today. The theme of heroic, tragic love is reserved for the Asmaradana song form.

This is a handwritten edition — it is not typeset.

Related products

This work is also available in the following products:

Asmaradana
Score: Asmaradana / by Betty Beath.

dancing difference
CD: The dancing difference / Davis. Indonesian diptych/ Beath. Concerto for violoncello / Fetherolf. Odissea / Vazzana.

This work also exists as the following versions:
- Solo Piano

 

- Browse other works for Full orchestra

- Browse other works by Betty Beath

Analysis & Media

- Video: Asmaradana by Betty Beath


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