Sheet Music: ScoreFrog and star cycle : double concerto for alto saxophone, percussion and orchestra / Ross Edwards.by Ross Edwards (2015)
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Composing this double concerto presented me with an exciting challenge: the need to satisfy the virtuosic requirements of two very extraordinary soloists, saxophonist Amy Dickson and percussionist Colin Currie, while at the same time preserving the substance and direction my music has taken over many years. As ever, it brims over with shapes and patterns which have inadvertently acquired the status of symbols, derived from the ecosphere as well as from myth and ritual of diverse cultures. Absorbed and distilled into my own language, they present an Australian composer's perspective on the world.
A cycle of eleven large sections is unified by the related themes of renewal and wholeness. Fragments of the very beautiful Marian chant Ave Maris Stella are transformed in many ways, suggesting, together with a subtle dialogue of frogs, the mystery, fragility and continuous evolution of life and the interconnectedness of all things, however seemingly remote.
1. Cosmogony
The performance begins in near darkness with a shamanic figure
enacting an age-old ritual of renewal by drumming the universe
into being. In the background, the outline of the cosmos emerges
accompanied by deep orchestral drones and birth pangs. The sounds
of living organisms begin to be heard: small creatures chirp and
twitter and an exchange between frogs is punctuated by menacing
shrieks and growls, with more and more voices joining in until
the texture has become a seething, chaotic mass.
2. Consecration Dance
The shaman now acts decisively. He initiates a pounding ritual
dance based on the rhythm of his opening drum (djembe) solo to
sacralise his creation.
3. Sacred Waters
The dance yields abruptly to a serene atmosphere and a mysterious
presence - the Earth Spirit incarnate - in preparation for a
cleansing ceremony. The saxophone performs a sinuously evolving
melodic line accompanied by bells and gongs, becoming
increasingly complex until it resembles a warbling of magpies.
4. Interplay I
Saxophone follows marimba in a genial quasi-canonic sequence
accompanied by the full orchestra: a simple three-part song form
with a dramatic central episode.
5. To the Morning Star
A wistful serenade to the morning star develops into a slow,
graceful dance which later becomes turbulent.
6. Interplay II
A quirky dance derived from the plainsong, characterised by rapid
changes of instrumentation and texture and featuring the Egyptian
riq - a traditional Arabic tambourine.
7. Evening Star and Interplay III
Calmly contemplative at first, then impassioned and supplicatory
as it draws on material from the Agnus Dei of my Mass of the
Dreaming before the vibraphone initiates a dance to evoke a
glistening night sky.
8. Cantilena of the Moon
A graceful, flowing dance, in which the saxophone is accompanied
by the celesta's delicate tracery.
9. The Cycle Renewed
The final sequence is a group of three dances initiated by a
return to the drum rhythms which summoned and sanctified the
creation. Here, they are assigned to the saxophone. A vigorous
celebratory dance follows, leading to a reflective central one.
10. Benediction
Material from the Benedictus of my Mass of the Dreaming is
transformed into a dance accompanied by Aboriginal clapping
sticks. After a further dance-like brass episode, the reflective
opening material returns, this time with marimba and clapping
sticks.
11. Transcendental Dance
To conclude, a joyful explosion of divine cosmic play,
transcendental in its power to unite opposites and embrace all
things, and derived from the ancient Hindu concept of Leela, in
which spontaneous, blissful freedom is expressed in dance.
Once again, special thanks are due to Renata and Andrew Kaldor, who for the fifth time have given me an opportunity to compose for the Sydney Symphony, the orchestra I grew up with and with which I've enjoyed a long and fruitful association.
Published by: Australian Music Centre (under licence from G.Schirmer Australia) — 1 score (173p. -- A3 (portrait))
Difficulty: Advanced
Duration: 30 mins
1. Cosmogony -- 2. Consecration dance -- 3. Sacred waters -- 4. Interplay I -- 5. To the morning star -- 6. Interplay II -- 7. Evening star and interplay III -- 8. Cantilena of the moon -- 9. The cycle renewed -- 10. Benediction -- 11. Transcendental dance.
Commissioned for Amy Dickson, Colin Currie, Sydney Symphony Orchestra, David Robertson with funds provided by Andrew Kaldor, Renata Kaldor.
First performance by Amy Dickson, Colin Currie, Sydney Symphony, Lothar Koenigs at Ross Edwards - Double concerto (Sydney Opera House, Concert Hall) on 7 Jul 2016
Includes programme notes and performance directions.
Typeset edition.
This edition produced Mar 17.
ISMN: 979-0-720205-26-7
Related products
This work is also available in the following products:
CD: Frog and Star Cycle / Symphonies 2 & 3 / Ross Edwards.
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