Sheet Music: Score
Serenade for tenor, saxophone and orchestra ('My Dear Benjamin') : from 'Voices and Instruments' / music by Lyle Chan ; words by Wulff Scherchen.
by Lyle Chan (2016)
English composer Benjamin Britten's first love was a young German man named Wulff Scherchen. This idyllic relationship was shattered by World War II when Wulff was incarcerated as a Prisoner of War. The heartbreaking letters during their separation chart an intense relationship.
Lyle Chan discovered this story via the ground-breaking book and film Britten's Children by British author and filmmaker John Bridcut. Upon exploring further, Chan learned Wulff Scherchen was alive and living in northern New South Wales with his wife of over 70 years under the name of John Woolford, which he had assumed after his release from enemy alien internment in 1941. Wulff consented to have these letters brought to life in a new orchestral song cycle featuring the musical symbol of him that Britten himself used - a saxophone. Scherchen passed away in August 2016 at the age of 96, six weeks before the world premiere.
Published by: Australian Music Centre — 1 facsimile score (111p. -- A3 (portrait))
Duration: 35 mins
Epilogue and Part 1 -- "Epilogue", 1941 -- I: The Past Is Still Terrifyingly Alive (letter by Scherchen) -- England, 1938 -- II: “I live in a wind mill” (letters by Britten and Scherchen) -- III: “Well, old thing (Buy yourself a typewriter)” (letters by Britten and Scherchen) -- IV: “No Presents” (letter by Scherchen) -- V: “Go boil yourself” (letter by Scherchen) -- Part 2: America, 1939 -- VI: “Wulffsick” (letter by Britten) -- VIIa: “War has broken out” (letter by Scherchen) -- VIIb: “I was interned on Whit Sunday” (letter by Scherchen) -- Part 3: Canada, 1940 -- VIIc: “Not a love letter” (letter by Scherchen) -- VIIIa: “One doesn't get answers” (letter by Britten) -- VIIIb: Double Double Bass (for double bass four-hands) -- IX: “You must forgive me” (letter by Scherchen) -- Part 4: England, 1941 -- X: “I have returned to England” (letter by Scherchen) -- XI: “It seems too good to be true” (Ben's Farewell) (letter by Britten) -- XII: “My thoughts are put at rest” (Wulff's Farewell) (letter by Scherchen) -- XIII: Postlude.
Commissioned by Queensland Symphony Orchestra.
This score contains handwritten revisions by the composer.
Includes programme notes and copy of text.
Analysis & Media
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