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Work

Lament for Helen

by Linda Kouvaras (1999)

Versions of this work

Select from the following versions of this work to view more detailed information:

- Flute with piano

- Oboe with piano

Products featuring this work

Format Title Version AMC Library Price  

Score & Part

Lament for Helen : for flute, piano / Linda Kouvaras

Flute with piano Not for loan $29.95 Purchase

Score & Part

Lament for Helen : for oboe, piano / Linda Kouvaras

Oboe with piano Not for loan $29.95 Purchase

Work Overview

This piece is an arrangement of the third movement from my Bundanon Suite for Piano (1999), written while I was Artist in Residence at Bundanon, the Arthur and Yvonne Boyd Estate bequeathed to the nation, on the Shoalhaven River, NSW. In accordance with the stipulations of the Bundanon Artist in Residence programme, the Suite is a response to my experience of the site. Bundanon could be described as a sanctuary for artists. Its magnitude, variety and isolation stimulate creativity. The Suite comprises 6 pieces, all dealing with the idea of the haven of nature for urban dwellers.

The Suite is structured so that "nature" (represented in purest form in pieces 1 & 6) flanks the "human" component (depicted most strongly in no. 3) of the pieces, with numbers 2, 4 and 5 encompassing both human and non-human subjects. In this way, nature is seen to affect and ultimately absorb the humans who interact with it.

"Lament for Helen", the most programmatic work in the collection, is a response to an account of a tragic event in 1922. Helen, aged 11, and her father were visiting relatives at Bundanon. Whilst crossing the Shoalhaven river on the way to a pony competition they both drowned when their mounts inexplicably got into difficulties - the river was calm, the father a good swimmer. The music contains a song-like musical essay about Helen's imagined character; it then depicts the drowning in tumultuous arpeggios, the hands in contrary motion; and the last section is the lament proper. This is written predominantly in a high register to denote Helen's youth. Underpinned by the traditional funeral march dotted rhythm, and the D Minor setting (many famous Requiems are set in this key), the high register calls into question the pomp and rather impersonal, patriarchal/masculine associations that this rhythm and funeral dirges generally denote. Re-cast in the subdominant, Helen's "signature tune" returns at the end: her spirit endures.

Work Details

Year: 1999

Duration: 4 min.

The composer notes the following about the work: Ballad style, postmodern, neo-Impressionist, tonal

Subjects

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