Strata (octets: flute, clarinet, piano, 2 violins, viola, cello, double bass)
by Robert Davidson (1989)
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This sample is from the Quintets: Saxophone, piano, violin, viola, double bass version of this work
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Version: This product features the Octets: Saxophone, guitar, bass guitar, piano, keyboard, violin, viola, cello version of this work
Library shelf no. CD 598 [Available for loan]
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Version: This product features the Quintets: Saxophone, piano, violin, viola, double bass version of this work
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Strata is in three movements, fast, slow and fast. Each of the movements treats music as a kind of layer cake, with several strands composed from the bass upwards (which is perhaps not surprising from a composer who is also a bass player). As the bass repeats, it is varied, turned upside down, and combined with an ever-changing array of upper parts, which intertwine with each other and engage in hockets (the word means "hiccup" and is a medieval technique by which a melody is divided between several performers to give a "hiccup" effect). In the slow movement, the harp plays constant regular pulses in cycles which shorten with each repetition, creating a gamelan-tinged texture with long meandering melodies in the winds and strings.
Influences on this work include: postminimalism, counterpoint
- Influenced by: Gamelan
Performances of this work
1997: St Mary's Catholic Church, Brisbane. Featuring Topology.
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