Login

Enter your username and password

Forgotten your username or password?

Your Shopping Cart

There are no items in your shopping cart.

Work

Gorlywhorl : for clarinet in A

by Gerald Glynn (1984)

Score Sample

View a sample of the score of this work

Audio Sample

Performance by Floyd Williams from the CD Dreamtracks

Selected products featuring this work — Display all products (3 more)

Dreamtracks

$22.73

Add to cart

CD

Dreamtracks

Library shelf no. CD 362 [Available for loan]

Display all products featuring this work (3 more)  

Work Overview

Gorlywhorl, composed in 1984, is the companion piece to Whirligig written the previous year. It is much lighter, more ironic and playful in vein than its predecessor. Just as the piece opens with the slow, then accelerating alternation of two notes, it ends with the progressive dismantling of a spiky motif shared with Whirligig, until only a few dislocated notes remain to end the piece.

Finding no title to suit this sequel to Whirligig, I decided to invent one. Choosing the word whorl, meaning a turning, spiral mark or pattern, I prefixed it with Gorly, to make the neologism Gorlywhorl, thereby producing for the two pieces a joint title of the A-B-B-A kind, taking the initial letters of the words' main syllables: W-li-G followed by G-ly-W.

Work Details

Year: 1984

Instrumentation: Clarinet in A.

Duration: 5 min.

Difficulty: Advanced

Written for: Beate Zelinsky, Das Klarinettenduo

First performance: by Ros Dunlop — 2 Jun 88. Sydney University

'Whirligig' composed in 1983, and 'Gorlywhorl' in 1984.

Performances of this work

30 Mar 08: Charisma Concert, Sydney Conservatorium. Featuring Ros Dunlop.

29 Jan 00: Glynn Retrospective Concert, Vienna. Featuring Heinz-Peter Linshalm.

9 Mar 91: Symeron Concert, Sydney Conservatorium. Featuring Ros Dunlop.

18 May 89: Sydney University. Featuring Ros Dunlop.

24 Jul 88: Eglise américaine, Paris. Featuring Ros Dunlop.

2 Jun 88: Sydney University. Featuring Ros Dunlop.

User reviews

Be the first to share your thoughts, opinions and insights about this work.

To post a comment please login.