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Sonetos del amor oscuro : Sonnets of dark love

by Rosalind Page (2004)

Score Sample

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This sample is from the Flute with piano version of this work

Audio Sample

Performance by Halcyon, Roland Peelman from the CD Cool black

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Cool black


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Cool black : chamber works / by Rosalind Page

Library shelf no. CD 1978 [Available for loan]



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Sonetos / Rosalind Page.

Version: This product features the Flute with piano version of this work

Library shelf no. 788.32/PAG 2 [Available for loan]

Display all products featuring this work (5 more)  

Work Details

Year: 2004

Instrumentation: Soprano, percussion (2 players), lute, baroque guitar, theorbo, double bass, soundtrack

Duration: 25 min.

Difficulty: Advanced

Commission note: Commissioned by Halcyon.

Texts in Spanish by Federico García Lorca.

Winner 2006 Paul Lowin Song Cycle Prize.

Awards & Prizes

Year Award Placing Awarded for/to
2006 Paul Lowin Song Cycle Prize Winner Rosalind Page

Performances of this work

22 Aug 2015: at Chiaroscuro (Recital Hall West, Sydney Conservatorium of Music). Featuring Jane Sheldon, Zubin Kanga.

28 Jul 2010: at Chronology Arts: Jane Sheldon, soprano (Music Workshop, Sydney Conservatorium of Music). Featuring Jane Sheldon, Zubin Kanga.

User reviews

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My favourite Australian art song repertoire

Posted by Australian Music Centre on 22 July, 2013

The AMC asked leading practitioners to select their favourite Australian art song repertoire, to provide delegates to the 2013 International Conference of Vocal Teachers (Brisbane 2013) with an introduction to this rich and diverse landscape.
Romantic and strange. This piece does a beautiful job of placing us in the rather surreal landscape of Lorca in love.
Jane Sheldon
Described as a journey of love's soul from light to darkness, Sonetos del amor oscuro (Sonnets of Dark Love) is Page's setting of sonnets that remained largely unknown and unpublished for 50 years. It is a mature and deeply soulful cycle, demanding great stamina and breadth of emotional expression. Tension builds throughout the piece until the final movement where the singer must unleash everything emotionally, yet end on a sustained lamenting high note. A work of extremes, from sensual radiance to despair in both the musical landscape and the vocal line itself.
Alison Morgan