Quotet : piano quartet
by Felicity Wilcox (2013)
Performance by Australian Piano Quartet from the CD Selected Works by AMC Represented Artists, vol. 53.
This item is not commercially available from the Australian Music Centre. We regret that we cannot offer it for sale.
Library shelf no. CD 2631 [Available for loan]
Quotet was commissioned for the Australia Quartet and the UTS animation department. It was composed prior to the visual design, and in writing it I drew on my background as a film composer, focusing on creating a slowly evolving kinetic and textural music with strong sonic shapes that provide fertile ground for audiovisual correspondences.
Quotet contains an original melodic statement that is then recycled, or quoted many times, reflecting the idea of growth through repetition and evolution as occurs in the process of cell division and multiplication. We all begin life as a single cell containing our entire DNA, which then divides into two daughter cells, each containing an exact copy of the DNA held within the original cell. So it goes, with each new cell producing two copies, until the original cell is multiplied millions of times upon itself, making something altogether new. This idea is reflected musically through a single melody first heard over twelve bars, played in unison by the quartet. From there the same melody is subjected to rhythmic subdivision, where it is heard twice in twelve bars, against the 'mother melody' reiterated in its original form. The process of rhythmic subdivision continues, until the melody is finally heard sixty-four times within the twelve bar cycle, against many layers of itself in longer subdivisions. Through complex layering of the same notes over and over, as with the formation of a living body, the climax of the piece has an entirely different identity from the melody that began it, while remaining a carefully constructed reiteration of the same material.
Instrumentation: Grand piano, violin, viola, cello.
Duration: 8 min.
Difficulty: Advanced — virtuosic passages, rhythmically challenging, optional animation video for performance
The composer notes the following styles, genres, influences, etc associated with this work:
interdisciplinary, multimedia, chamber music, new music
The score can be performed stand alone, or with the accompanying animation from a laptop. The visual material is held by UTS Animation Dept, contact Deborah Szapiro.
Performances of this work
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