7 May 2010
Time Machine Music
writing for baroque instruments in a modern way
© St John's Lutheran Church
St John's Lutheran Church in Southgate, Melbourne, is well known
not only for complete performances of Bach's cantatas with
authentic instruments at a baroque pitch, but also for
commissioning new works by Melbourne composers for those same
instruments. In April last year, I attended the world premiere of
a new work of mine commissioned by St John's.
The commission grew out of the fact that the church had bought
two brand-new oboes da caccia from the United States. They were
made by the Sand Dalton company in Washington state, and were to
be dedicated at a service that would include a performance of
Bach's Cantata BWV 1, which calls for the rare instruments, and a
new work by me as well. Oboes da caccia are transposing
instruments in F, like a cor anglais, but with a much stronger
tone - hence the 'hunting' (da caccia) part. They are
also in baroque pitch (A=415Hz), which means that, to our ears,
their C sounds almost like E.
Combine this with the fact that the church's main organ is in
modern pitch, but the small chamber organ I was including in the
score was in baroque pitch, and you get a score in three
different keys!
I chose to base the piece on a Lutheran hymn called Was Gott
Tut, since the Musical Director, Graham Lieschke, suggested
the congregation might like to join in at the end. This was
another interesting factor - how many contemporary composers
write a piece that will involve mass singing by an untrained
congregation in the world premiere?
As it was, pitch problems notwithstanding, the work went very
well. The actual oboes da caccia have a very characteristic sound
and could be heard easily above two organs and a lot of people
singing. I wrote the piece in a slightly more traditional style
than normal, and this seemed to suit the occasion. The
congregation (the audience?) sang at the right time and were
obviously used to doing so, and the oboes were promptly put to
more good use in the Bach cantata that followed.
I have never written for period instruments before, but would
certainly do so again. It was like stepping inside a musical time
machine, and I can safely say I am probably one of the very first
contemporary composers to write for a pair of baroque German
hunting oboes!
Further links
Andrew Batterham -
AMC profile
Andrew Batterham - personal homepage
© Australian Music Centre (2010) — Permission must be obtained from the AMC if you wish to reproduce this article either online or in print.
Andrew Batterham is a composer active in several musical fields, including jazz, corporate, art music and songwriting. He has been commissioned and performed throughout Australia and overseas, and currently earns a crust running a music business.
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