Benedict Deane-Johns : Associate Artist
Artist website: http://www.compositiontoday.com/composerbdj
One of Australia's outstanding up-and-coming orchestral composers, Ben Deane-Johns has written music for film, theatre and dance. Born in Melbourne in 1971, he holds a Bachelor of Music from the Victorian College of the Arts and a Graduate Diploma in composition from Melbourne University. An experienced performer as singer, trumpet player, pianist and bandleader, he has also done much arrangement and production for other artists. Deane-Johns's music draws on his family's Celtic heritage, as well as contemporary orchestral, jazz, dance and film music influences. The evolution of folk tune material in his work was initially subconscious, with the Australian pianist Michael Kieran Harvey first drawing attention to the evocative nature of the harmonies in his solo piano work Ode to the God of Fire, and their suggestions of Celtic traditions.
Deane-Johns has released four albums of his material: an album of original songs entitled Getting Nowhere Fast by Uncle Benny (2015), an album of Celtic songs and pieces entitled Carry me Home (2005), a collection of original songs by Taliesin entitled The Sea Sessions (2000) and Ode to the God of Fire, an album of contemporary orchestral music (1998). The title track from this album was performed and recorded by Michael Kieran Harvey at the 1997 Melbourne International Festival. The pieces Shining Brow (for solo Uilleann pipes), Song for Chloe, The Prayer and Gwydion (written in Cornish) from The Sea Sessions album have been published by Boa Records (Zamie Songs) of Canada.
Deane-Johns's first piece for full orchestra, The Mirror Pool, was premiered by the Queensland Youth Orchestra in September 2003, with a reduced version of the piece presented by Ensemble Rosario of Argentina in April 2003. This piece was a finalist in the 2002 MusOz Challenge (Best Classical Piece), with Ode to the God of Fire a finalist in the same category in 2001.
written scores for the plays Wrongful Life (2005) and
Renaissance (2006) (written by Ron
Elisha), both directed by Dave Letch and performed at Chapel off
Chapel and the Old Fitzroy Theatre respectively. 2007 saw the
premiere of The Full-Rigged Ship, performed by the Sydney Sinfonia (conducted by Richard Gill)
as part of the Discovery Series at the City Recital Hall, in
addition to the composition of original music for the
fantasy/adventure feature film
Wishbone. 2009 saw the completed
commission from Ivanhoe Grammar of a new work for full orchestra,
entitled Reaching the Shore.
Deane-Johns has nine film and television credits, and continues to be involved in collaborative work. In 2013, he composed and recorded a requiem for his grandparents. 2014 saw the composition and recording of The River, Music for an Exhibition. 2015 saw the composition of his First Symphony and the recording and distribution of his Uncle Benny CD. 2016 has seen the release of the The River, Music for an Exhibition CD and the recording of a new collection of Celtic material.
Benedict Deane-Johns — current to May 2016
|The River. Movt 3: The morning song : for piano quintet (2015)||Commissioned in 2015 by the visual artist Stacey Zass for her exhibition entitled "The River"|
|The River. Movt. 5: Breton for Pop : for piano quintet (2015)||Commissioned in 2015 by the visual artist Stacey Zass for her exhibition entitled "The River"|
|The River. Movt 2: Theme for Mary (solo piano) (2015)||Commissioned by the visual artist Stacey Zass for her exhibition entitled "The River"|
|The River. Movt. 1: The river (solo piano) (2015)||Commissioned in 2015 by the visual artist Stacey Zass for her exhibition entitled "The River"|
|The River. Movt. 4: Carousel (solo piano) (2015)||Commissioned in 2015 by the visual artist Stacey Zass for her exhibition entitled "The River"|