Resonate Feature Articles
In-depth articles discussing issues relating to Australia's new music scene - you can also browse our archive of all feature articles.
by Michael Hannan
Our warmest congratulations, this month, go to composer Diana Blom who turns 70 on 10 November 2017. We asked a long-term friend and collaborator Michael Hannan to write his thoughts about Diana Blom's music and the many projects and collaborations where she has been - and continues to be - a driving force.
by Stuart Greenbaum
Stuart Greenbaum writes about his impressive series of sonatas, at the same time revealing a lot of interesting detail about his work in general, from its inspirations down to his approach to style and structure in his music. Greenbaum's next sonata premiere will take place on 14 November as part of ANAM's concert series at the South Melbourne Town Hall.
by Aleksandr Tsiboulski
Phillip Houghton was a highly original Australian guitarist, composer and teacher. His compositions for solo guitar and ensembles used pictorial gestures in a powerfully intuitive way, exploiting the full spectrum of the guitar’s sound palette. Notably, a number of these works were championed by the guitarist John Williams, who was an important source of encouragement and support for Houghton’s work, and whose advocacy increased its reach beyond Australia. In the latter decades, Houghton took his intimate knowledge of the instrument, powerful musicality and perceptive grasp of technique into teaching work with a large number of early-career guitar students. He was one of the great, defining figures of the Australian guitar scene, and his passing leaves it greatly diminished.
What follows below is a personal reflection written in the days after his passing...
by Christopher Sainsbury
The first instalment of the AMPlify Indigenous Composer Initiative artist development program took place in 2017, with planning now underway for the second run. This article by Chris Sainsbury is edited from his presentation af the 2017 IAML Australia conference in Canberra on 28 September.
by Felicity Wilcox
Felicity Wilcox writes about her work Vivre Sa Vie - Composer's Cut (2017), premiered in the Australia Ensemble's Sound of Pictures concert earlier this month, together with music composed for film by Andrew Ford, Arthur Benjamin, Bernard Herrmann, Nino Rota and Dmitri Shostakovich. Wilcox managed to secure permission from the famous French film director Jean-Luc Godard to create her own 'composer's cut' - here, the composer explains her musical choices and the difficulty of turning a full-length movie masterpiece into a 15-minute short film.
by Anni Heino
Lisa Illean's new work Cantor is about to be premiered in Sydney at a Carriageworks concert by Ensemble Offspring (23 September). Funded among the 12 successful composers and projects of the first round of APRA AMCOS Art Music Fund in 2016. Illean's work already has multiple international performances lined up: in the Netherlands, Canada, the UK, Hong Kong and New Zealand. In this interview, Lisa Illean talks about Cantor and the musicians it's written for, other recent works of hers, as well as her keen interest in the human voice