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Tom Vincent is a unique jazz stylist both as a composer and as a performing improviser. The rich harmonic language inherent to his compositions are directly informed by thirty years of continual improvisation and his compositional development is likewise enriching his scope as an improviser. Vincent studied jazz composition at the Sydney Conservatorium with George Golla and Don Burrows, graduating in 1989. In the 90s he worked as a composer and performer in New York City where he also studied at the BMI Jazz Composers' Workshop with Jim McNeely and Roger Kellaway.

For twenty years Vincent has been composing for his own ensembles, living and performing mostly in Sydney, New York, Melbourne, Amsterdam and now Hobart. Since 2005 he has been composing both theme tunes and incidental music for ABC TV shows. In August 2012 the Tom Vincent Septet performed its inaugural concert to a full house at the Bahai Centre in Hobart with all music composed and arranged by Vincent. Since 1999 Vincent has released 4 self-produced CDs with original compositions, and since 2000 he has toured Europe, Australia and the world several times with his trios and quartets

In his composition and piano playing, Vincent is working on exploring new possibilities in rhythmic and harmonic organisation. Rhythmically, the platform for standard jazz syntax is triplets in four four time, resulting in 12 triplets per bar. Jazz musicians have been superimposing long running lines that create a faster tempo on top of the existing tempo by playing three bars in the time of two, thus phrasing triplets as if they are quavers in a faster tempo. In a similar way, Vincent is working on phrasing lines by dividing bars into 11s and 13s, rather than 12. Slightly slower and faster, this creates a curious drifting sensation while his note choice and phrasing maintain the essential swing feel, both in composition and improvisation.

Harmonically, Vincent is working with four and five-part harmonisations of running lines of quavers and quaver triplets where no notes are repeated consecutively. Once harmonised, inner voices are carefully analysed and notes are swapped around between them, giving the most tuneful and interesting lines possible to each player, and creating rich, flowing, kaleidoscopic textures.

In 2012 Vincent started composing for Michael Kieran Harvey and also for his new Tom Vincent Spetet. At the end of 2012 Vincent was awarded a grant of $14,000 from Arts Tamania to compose for his Septet. In mid 2013 Vincent is spending a month composing music in Spain at an international artists residency in Almeria.

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Tom Vincent — current to February 2013