Sheet Music: Score
Resonance of red : for sitār, tablā and harpsichord / Bruce Crossman.
by Bruce Crossman (2013)
Resonance of Red refers to the work's inspiration through multifaceted references to both Indian Bangāla Bhairava rāga and its hint of Chinese culture (the red association)-that underpins my Confucian-inspired living-colour aesthetic. The rāga has associations to the sensuous Bāngālī-a female lutenist-and red similar to the China rose. The music's living-colour aesthetic embodies these musical associations: after a sharp start from harpsichord and tablā articulations, living-colours emerge in prepared and inside fingered strings on the keyboard instrument, bāyān drum hand slides, and subtle pitch vibrato coupled with chikāri plus sympathetic string resonances on sitār-that evolve into the Bangāla Bhairava rāga. The resonances of colour are intercut by jazzy interpolations on harpsichord and the remnants of traditional North Indian tablā patterns and vocalize (such as Moharā) that are all swept up into wild extemporization-inspired sitār lines. The form of the work moves from colour resonances to two central improvisatory-like frenetic climaxes-both framed by distilled colour sections-before returning to the quiet opening red rāga resonances.
Published by: Australian Music Centre — 1 facsimile score (24p. -- B4 (portrait))
Difficulty: Advanced — Complex rhythmic detail and changing colour nuances
Duration: 15 mins
First performance Nov 14. SLOW, Toronto, Canada
Includes program notes and performance notes.
The composer notes the following styles, genres, influences, etc associated with this work:
Chinese Confucian living-colour tones/resonance (Qin music), North Indian Sitār music (including Moharā tablā patterns and Bangāla Bhairava rāga), free form jazz
- Browse other works for Trios including harpsichord
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