CDSongs for a Day / Aristéa Mellos.
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Featured Australian works
Work | Composer | Performers | Duration | |
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Athena (2014) for soprano with ensemble Recorded/performed at: The King's School, Parramatta NSW, on Oct 19. |
Aristea Mellos | Helen Zhibing Huang, James Larsen, Ada Arumeh Kim Lowery | 5 mins, 35 sec. |
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La Tessitrice (2016) for soprano voice with piano Recorded/performed at: The King's School, Parramatta NSW, on Oct 19. |
Aristea Mellos | Helen Zhibing Huang, Ada Arumeh Kim Lowery | 4 mins, 31 sec. |
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Louriana Lourilee (2014) for soprano voice with piano Recorded/performed at: The King's School, Parramatta NSW, on Oct 19. |
Aristea Mellos | Helen Zhibing Huang, Ada Arumeh Kim Lowery | 7 mins, 18 sec. |
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Prelude I (2019) A ghostly finger writes forgotten words (in the dust on the piano) Recorded/performed at: The King's School, Parramatta NSW, on Oct 19. |
Aristea Mellos | Ada Arumeh Kim Lowery | 3 mins, 35 sec. |
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Songs for a day (2014) three poems of Yannis Ritsos, for soprano, flute, violoncello, and piano Recorded/performed at: The King's School, Parramatta NSW, on Oct 19. |
Aristea Mellos | Helen Zhibing Huang, Jane Bishop, James Larsen, Ada Arumeh Kim Lowery | 17 mins, 25 sec. |
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Songs of Resignation (2019) four settings of Constantine Cavafy, for soprano and piano Recorded/performed at: The King's School, Parramatta NSW, on Oct 19. |
Aristea Mellos | Helen Zhibing Huang, Ada Arumeh Kim Lowery | 15 mins, 19 sec. |
Product details
Liner notes include program notes and lyrics.
Related products
Score: La tessitrice / Aristea Mellos.
Score: Songs for a day : three poems of Yannis Ritsos, for soprano, flute, violoncello, and piano / Aristea Mellos.
Score: Prelude I : a ghostly finger writes forgotten words (in the dust on the piano) / Aristea Mellos.
Score: Songs of Resignation : four settings of Constantine Cavafy / Aristea Mellos ; text by C.P. Cavafy translated by David Connolly.
Score [ePDF]: Songs of Resignation : four settings of Constantine Cavafy [eScore] / Aristea Mellos ; text by C.P. Cavafy translated by David Connolly.
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