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String quartet No. 2

Sheet Music: Score & Part(s)

String quartet No. 2 : "And once I played Ophelia", for soprano and string quartet / music: Brett Dean ; text: Matthew Jocelyn (after Shakespeare's "Hamlet").

Also known as: And once I played Ophelia

by Brett Dean (2013)

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    Please contact http://www.boosey.com for all sales enquiries.
  • Library Availability: This item is not available from the Australian Music Centre Library
  • Instrumentation: Soprano, 2 violins, viola, cello.


This item is not available to customers outside Australia and New Zealand.
Please contact http://www.boosey.com for all sales enquiries.

Product details

Matthew Jocelyn's text utilizes not only Ophelia's own words from Shakespeare's Hamlet but also words directed towards, or said about her, from the confronting invective of Hamlet's "Get thee to a nunnery" or his exalted love poem, "Doubt thou the stars are fire" through to the condescending life directives handed out by her father, Polonius ("Best safety lies in fear"; "Do not believe his vows") and Gertrude's lyrical description of her suicide. ("There is a willow…")

Through a suite of five short movements performed without a break, a concise portrait of Shakespeare's troubled and elusive young character emerges. As we discussed the shape of the work, Matthew and I saw it increasingly as an examination of what remains in our memory and understanding of this secondary, yet utterly pivotal role "after all the Ophelias have played Ophelia."

Though traditionally portrayed as a meek, even weak character, often dressed in flowing white robes and unable to defend herself before the pressures of Elsinore cause her to snap, I've often felt that much of what she says betrays a feistier personality than the one we often are presented. ("And I that sucked from his musicked vows…")

And perhaps, just perhaps, Ophelia drowns not from a romantically-fed whim or madness, but simply because of the pure weight of the words others say about her caught irrevocably in her pockets.

Hence I sensed the drama of a string quartet complemented by a high soprano voice, at times in combat with the forces around her, at times lulled, accompanied, even defeated by them, formed a suitable musical metaphor for this "ministering angel" and the strange, beguiling spell she casts over us.
© Brett Dean, 2014

Published by: Australian Music Centre (under licence from Boosey & Hawkes) — 1 score 38p. -- B4 (landscape)) and 4 parts (45p. -- B4 (portrait))

Difficulty: Advanced

Duration: 17 mins

Dedication note: In memory of Kate Buchdahl (1964-1992)

Commissioned by Australian String Quartet, Britten Sinfonia, Santa Fe Chamber Music Festival.

First performance by Allison Bell, Britten Sinfonia — 2 May 14. The Assembly House, Norwich, UK

Part for soprano is a copy of the full score.

Text by Matthew Jocelyn after William Shakespeare's Hamlet.

Typeset edition.

This edition produced May 14.

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