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Work

One day : for SATB choir

by Stuart Greenbaum (1994, this version: 2003)

Score Sample

View a sample of the score of this work

Audio Sample

From the CD Madrugada

This sample is of the Unspecified voice with chamber ensemble version of this work

Selected products featuring this work — Display all products (1 more)

Madrugada

Out of Print

This item is out-of-print. We regret that it cannot be purchased from the Australian Music Centre.

CD

Madrugada : music from Latin America and Australia.

Version: This product features the Unspecified voice with chamber ensemble version of this work

Library shelf no. CD 568 [Available for loan]

One day

$24.14

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Score

One day : for SATB choir / Stuart Greenbaum.

Library shelf no. 782.55542/GRE 3 [Available for loan]

Display all products featuring this work (1 more)  

Work Details

Year: 1994, this version: 2003

Instrumentation: SATB choir

Duration: 5 min.

Dedication note: Dedicated to Hildy Essex, University of Melbourne Composition Choir

First performance: by Hildy Essex, University of Melbourne Composition Choir, Rebecca Chapman — 27 May 04. Dante's, Melbourne

Performances of this work

27 May 04: Dante's, Melbourne. Featuring Hildy Essex, University of Melbourne Composition Choir, Rebecca Chapman.

25 Sep 94: featuring Chronochromie.

User reviews

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My favourite Australian art song repertoire

Posted by Australian Music Centre on 22 July, 2013

The AMC asked leading practitioners to select their favourite Australian art song repertoire, to provide delegates to the 2013 International Conference of Vocal Teachers (Brisbane 2013) with an introduction to this rich and diverse landscape.
Combines the catchy riffs and natural expression of a pop song with the extended lyricism and musical interest of an art-song to create a song of great appeal. This is a love song with beautiful imagery in the lyrics (by long-time Greenbaum collaborator Ross Baglin). Great teaching piece for classically trained singers needing to adapt their vocal style and technique to suit the stylistic needs of contemporary popular repertoire.
Jeannie Marsh