Paul Copeland (1947-2022) : Associate Artist
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Random Audio Sample: Audacious binary forms : for one performer on 2 pianos by Paul Copeland, from the CD Audacious Binary Forms |
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Photo: various
Artist website: http://soundcloud.com/paulcopeland
Artist website: http://bit.do/AudaciousBinaryForms
Paul Copeland was an award-winning multi-genre composer, graphic
artist, programmer, teacher, and author, based in his home city
of Melbourne. His compositional styles ranged from neo-classical,
jazz, ragtime, and musical theatre to electronic, avant-garde,
post-avant-garde, and experimental music.
Born in 1947, Copeland grew up an only child in a musical
household. His mother was a talented singer, his father an
accomplished amateur pianist, composer of popular music, and
internationally renowned travelling telepathist known as Argus
The Boy Prophet.
Copeland's musical studies commenced at the age of 16 when he
began studying piano, and a year later, he enrolled at the Melba
Conservatorium in pursuit of a Performer's Diploma which was not
completed because of the early death of his father.
Copeland then began studying composition with Felix Werder.
Copeland is a recipient of a composition grant from the Australia
Council of the Arts Music Board. Some of his most notable
compositions include his String Quartet 1, a
graphics-based aleatoric score premiered by members of the
Melbourne Symphony Orchestra, and Subterranean Rivers
(for horn, oboe, trumpet, percussion and two synthesisers). Both
have been broadcast by the Australian Broadcasting
Corporation.
The Australian Percussion Ensemble, (led by John Seal) premiered
Copeland's Continuum for Six at the National Gallery of
Victoria. The internationally recognised contemporary music
ensemble Australia Felix, once led by Copeland's teacher, Felix
Werder, has taken Copeland's music overseas to Germany and Italy.
Copeland's musical theatre credits include a performance of
Multitududinalpolychromatic Transformations by members
of the Australian Ballet School, which included a montage of his
electronic music and instrumental music.
An accomplished computer graphics artist and programmer, Copeland
has also received a commendation in 1985 from digital art pioneer
Laurence Gartel for his print Suspicious Shapes Number One,
from the Diary of a Madman, which he entered in the world's
first international computer art competition. Several of his
prints have been sold to private collectors. Additionally, three
of his books on computer programming have been published:
Using your Vic 20 as a Music Synthesiser; The Penguin Book of
Commodore 64 Games; and the Penguin Book of Vic 20
Games.
Copeland's work remains at the forefront of experimental
multi-genre art, though he also enjoys composing easy piano works
for children. He has been greatly influenced by Luciano Berio's
Circles and Karlheinz
Stockhausen's Klavierstucke I-IV Nr. 2
Biography written by Jeremy Reynolds, a freelance music journalist based in Texas USA. 2017 (publication rights granted to Copeland by Reynolds).
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Latest update by Copeland 2021
Copeland considers Audacious Binary Forms as being his most important work to date.
The notation is a mix of graphics and traditional notation. There are many combinations and permutations of the score. The duration of the work if played in full can last approximately 45 minutes. If played as a minimalist work, the duration would be less than one minute.
The term binary in the title represents the contrasting Structures of the content; the more classical traditional use of the piano, which was played on the Steinway piano, and the more adventurous experimental use of the piano, which was played on the Stuart and Sons piano with 102 keys.
Michael Kieran Harvey in introducing the world premiere to the audience said.
'I'm dressed in this way (note: Harvey wore a white shirt and black trousers) because of the second piece I'm going to play; it's called Audacious Binary Forms, and Paul has decided that his piece will reflect in every possible way, his sense of the binary. And I think it's incredibly apt, really, that he's decided to go this way because of the - well, in my mind, anyway, the threats on democracy from the binary ideas which are now cementing themselves in the world.
And so, black and white, you can't get much more binary than that. Religion and secular society can't get much more binary than that. And poor old democracy is trying to integrate all of these forces, these binary forces which are determined to entrench themselves and destroy what we have as a culture.'
Copeland was diagnosed in 2014 with Mixed Effective State, a serious form of bipolar. Although he was not a danger to himself or his family, the diagnosis resulted with him spending three weeks in a psychiatric hospital and two weeks inrespite before he could go back home. In hindsight the bipolar condition probably contributed to his manic efforts to complete the composition of Audacious Binary Forms, which was worked on frantically to meet the deadline. Regarding his bipolar condition he is not afraid to talk about it. As the psychiatrist said to Copeland when he was discharged from the psychiatric hospital 'You simply have a chemical imbalance in your brain.' Since 2014 Copeland has been on medication, which he will be on for the rest of his life.
Copeland was an introverted musician who had mild claustrophobia. He never performed in public.
Awards & Prizes
Year | Award | Placing | Awarded for |
---|---|---|---|
2016 | Jean Bogan Prize for Piano Composition | Winner | Audacious binary forms |