John Peterson : Represented Artist
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Photo: Lee Martin
Artist website: http://research.unsw.edu.au/people/dr-john-peterson
John Peterson was born in Wollongong, NSW, in 1957. He studied composition at the University of Sydney under the guidance of Ross Edwards, Eric Gross and Peter Sculthorpe. He completed his Bachelor of Music degree in 1990, Master of Music in 1994, and his PhD in Composition in 2003.
As a composer, Peterson has written chamber music for many ensembles including the Contemporary Singers, Sydney Mandolins, the Shostakovich String Quartet, Halcyon, and the Omega Ensemble, Sydney, and he has had several works for orchestra performed and/or recorded by orchestras across Australia and New Zealand. His choral music has frequently been performed by the Sydney Philharmonia Choirs.
In 1992, Peterson was a finalist in the Jean Bogan Prize for Piano Composition, and was a finalist in the Corbould Orchestral Composition Competition in 1995 and 2000. On two occasions (1997 and 2001), he was shortlisted for 'Masterprize', an international competition run jointly by BBC Music Magazine and the London Symphony Orchestra. The orchestral works selected for this competition, Rituals in Transfigured Time (1997) and Illawarra Music (2001), were recorded and subsequently broadcast on BBC Radio 3 in the United Kingdom and Europe.
John Peterson's music generally reflects his interest in tonal idioms, as well as the energy and rhythmic propulsion inherent in many popular music styles. A typical work of this type is Shadows and Light, a large-scale composition for SATB symphonic chorus, SATB semi-chorus, soprano and tenor soloists, string orchestra and percussion; this work was premiered by Sydney Philharmonia, conducted by David Porcelijn, in November 2004.
His music is available on several CD recordings, including Narratives and Detours, performed by Jeanell Carrigan (piano); Australian Song Cycles Vol. 1, performed by Wendy Dixon (soprano) and David Miller (piano); Ancient Rivers, performed by John Martin (piano); Hinterland, performed by Barry Cockcroft (saxophone) and Adam Pinto (piano); and After the Dark, performed by the Silo String Quartet.
John Peterson won the Albert H. Maggs Composition Award in 2005, and subsequently composed the chamber work Guilty Pleasures (2006) for the Australia Ensemble. He also won the Australian Flute Festival Composition Competition in 2015, with a flute sextet titled Emergence.
In 2011, he was commisisoned to write a large-scale choral work to celebrate the 20th Anniversary of the Sydney Gay & Lesbian Choir: the resulting work Dreams and Visions was premiered in 2011, and is currently available on a CD recording performed by the Sydney Gay & Lesbian Choir.
In 2013 John worked with choreographer and dancer Sue Healey to create Double Entendre, a work for dancers and instrumental ensemble that was premiered at the 'Movement to Music' Festival at the University of New South Wales.
In 2014, Peterson's book The Music of Peter Sculthorpe was published by Wildbird Music. This book is an analytical study of most of the major compositions written by Sculthorpe throughout his long and distinguished career.
John Peterson is currently Senior Lecturer in Music Theory and Composition in the School of the Arts and Media at the University of New South Wales.
John Peterson — current to October 2015
Awards & Prizes
|2005||Albert H Maggs Composition Award||First Prize||Guilty pleasures|
|1992||Jean Bogan Prize for Piano Composition||High Commended||Walking on glass|
|Double entendre : for string quartet and piano (2013)||Commissioned by the ‘Composition to Movement Festival 2013'|
|Fabulous beasts : for Bb clarinet, cello and piano (2012)||Commissioned by Sydney Omega Ensemble, David Rowdon.|
|Dreams and visions (satb choir with soloists and chamber ensemble) (2011)||Commissioned by Sydney Gay and Lesbian Choir.|
|Race against time : for cello and piano (2010)||To celebrate the 100th anniversary of the Sydney Conservatorium of Music.|
|Veni Creator Spiritus : for unaccompanied SATB chorus (2010)||Written especially for Sydney Philharmonia Choir on the occasion of their 90th Anniversary.|
||Impressions of Shanghai : for solo piano (2010)||Written especially for the ‘Shadows and Silhouettes’ project, a musical exchange between Australian and Chinese composers|