Andrew Schultz : Represented Artist
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Artist website: http://www.andrewschultz.net
Andrew Schultz was born in Adelaide in 1960 and grew up in regional NSW and Victoria before his family moved to Brisbane, where he completed school. He studied at the Universities of Queensland, Pennsylvania and King's College London where his teachers and mentors included Colin Brumby, George Crumb, David Lumsdaine and Luciano Berio. He has been the recipient of various awards in Australia and overseas, including five Australia Council Fellowships, Fulbright Award, Commonwealth Scholarship, Paul Lowin Prize, Schueler Composition Award, Hilda Watts Prize, Maggs Award, Dalley-Scarlett Award and the APRA Award for Contemporary Classical Composition of the Year.
Andrew Schultz has written in most genres including large-scale symphonic and dramatic works. His orchestral music includes three symphonies. Symphony No. 1 In tempore stellae (1998) was premiered by the Melbourne Symphony and Chorale; Symphony No. 2 Ghosts of Reason (2008) by the Adelaide Symphony; and, Symphony No 3 Century (2012) was commissioned for the Canberra Symphony by the ACT Government for the Centenary of Canberra in 2013. Other orchestral and orchestral-choral works include The Devil's Music (1992), Diver's Lament (1996), little tree (2004), and Sound Lur and Serpent (2014) commissioned by the Sydney Symphony, Falling Man/Dancing Man (2005) commissioned by the Melbourne Symphony, Once upon a time… (2006) commissioned by the Queensland Symphony, Southern Ocean (2000), Endling (2007) and Peace (2013) commissioned by the Tasmanian Symphony, and August Offensive (2013) commissioned by the Australian Government for the Centenary of Gallipoli. The acclaimed symphonic cantata Journey to Horseshoe Bend (2002-03, libretto by Gordon Kalton Williams after TGH Strehlow) was commissioned by Symphony Australia for the Sydney Symphony and Philharmonia Choirs.
His three operas have been presented live and on film internationally: Black River (1988, libretto by Julianne Schultz) was awarded the Australian National Composer Opera Award and, in its film version, the Grand-Prix, Opera Screen at Opéra-Bastille in Paris; Going into Shadows (2000, libretto by Julianne Schultz) was commissioned by the Guildhall School of Music, London and the Queensland Conservatorium of Music; The Children's Bach (2007, based on a novel by Helen Garner with libretto by Glenn Perry), was premiered by ChamberMade Opera in Melbourne with a season of 20 performances. Another large-scale vocal work is a version of the Song of Songs (2004, text by Barry Hill), commissioned by ABC Radio and The Song Company. Other works for The Song Company include Ekstasis (1990) and Wild flower (2006). More recently, he has written Beach Burial (2009) for Sydney Philharmonia Choirs, Magnificat (2009) for the Sydney Chamber Choir, Nunc Dimittis (2011) for the Brisbane Chamber Choir, Le Molière Imaginaire for I Fagiolini and Musica Viva (2014) and four song cycles, To the Evening Star (2009), Stille Sprache (2009), I am writing in this book (2011) and Paradise (2013).
Chamber works have also been widely performed, including Barren Grounds (1988), Dead Songs (1991), 12 Variations (1997), Tonic Continent (2000), The Meaning of Water (2006), After Nina (2008) and Clarinet Quintet (2010). The Australia Ensemble has commissioned two chamber music works - Circle Ground for septet (1995) and One Sound for flute and string quartet (2012). Recording releases include two CDs of orchestral music on the ABC Classics label, two volumes of chamber music on the Tall Poppies label, a disc of vocal music on The Song Company's own label, and choral music with Kühn Choir of Prague on Navona Records. Numerous recordings are available for download on iTunes and other digital platforms or can be viewed on YouTube.
Andrew Schultz has held residencies, including at the Banff Centre for the Arts - Canada, the Cité des Arts - Paris, the Instiutute for Advanced Musical Studies - London, and Villa Montalvo - California; and held posts as Head of Composition and Music Studies at the Guildhall School of Music, London and Professor of Composition and Dean of Creative Arts at the University of Wollongong. He is currently Professor of Music and Head of the School of the Arts and Media at the University of New South Wales, Sydney. He has also served as Chair of the Arts NSW Music Committee, Chair of the Australian Music Centre Board, Editor of the Biographical Directory of Australian Composers and as Tutor and Program Director for the Australian Composers' Orchestral Forum and the Australian Composers' School.
Andrew Schultz — current to September 2014
Awards & Prizes
|2011||Art Music Awards: Work of the Year: Vocal/Choral||Finalist||Beach burial|
|2009||Paul Lowin Song Cycle Prize||Winner||To the evening star, op. 80|
|1985||Albert H Maggs Composition Award||First Prize||Reading a view|
|Sound lur and serpent, op.98 : for brass and percussion (2014)||Commissioned for the orchestra's 2014 tour of China.|
||Nocturnes and variations : for piano (2014)||Commissioned by Griffith University.|
|Sea cliff, op. 97/1 : for brass and percussion (2014)||Commissioned by St Peter's Lutheran College.|
|Horizon, op. 97/2 : for symphonic winds (2014)||Commissioned by St Peter's Lutheran College.|
|Fortress, op. 97/3 : for symphonic winds (2014)||Commissioned by St Peter's Lutheran College.|
|St Peter's suite, op. 97 : symphonic wind band (2014)||Composed during a residency at the Cité International des Arts, Paris.|
Analysis & Media
- Article: Scored in black and white
- Document: Andrew Schultz's "Journey to Horseshoe Bend"
- Video: Wild Flower, by Andrew Schultz
- Article: Town Hall proms end year on eclectic note
- Program note: Ekstasis Andrew Schultz
- Program note: Data est Lux Andrew Schultz
- Program note: Fast Talking: The Last Words of Dutch Schultz
- Video: Barcarole
- Video: Ring out wild bells
- Video: Stille Sprache, by Andrew Schultz
- Website: Music and Emotion (incl. performance of "After Nina")
What happens when you listen to music? What happens in your brain? What makes music sad, poignant or joyful? How easy is it as a composer to shape and extract emotional responses to particular compositions? In this conversation you’ll hear music and some interesting insights into composition and emotional response with Emma Ayres; Professor Andrew Schultz – composer and head of the school of Arts and the Media at UNSW and Associate Professor Emery Schubert.
- Video: After Nina
- Review: CSO rises to ‘Centenary’ premiere music Symphony No. 3 – “Century” World premiere, Canberra’s Centenary celebrations, 11 March 2013.
by Clinton White. © CityNews
- Review: Schultz scores a century
- Video: As
- Website: Deep blue and dirty
perf. Mark Gaydon (bassoon) and Lucinda Collins (pno); rec Tom Henry, prod. India Hooi. © ABC
The bassoon doesn't often occupy the limelight. But bassoonist Mark Gaydon is passionate about its soloistic potential. He's invited a number of Australian composers to write new solo works for him, taking as their starting point the instrument-defining work Sequenza XII for solo bassoon by Luciano Berio.
- Video: Sound lur and serpent, by Andrew Schultz
Perf Sydney Symphony Orchestra, cond. David Robertson. © NCPA Music Channel
From SSO China tour 2014, performance from their concert in Peking at the National Centre for Performing Arts.