Journal issue #1
A Tangled Web? New Music Online
Edited by Rhiannon Cook and Danielle Carey — 31.07.07
Now is a pivotal time in Australian music history. Technological advances are affecting the ways in which we engage with music at all stages of its lifecycle. Documentary processes play a crucial part in this lifecycle – aiding promotion, providing context, supporting education, and fostering discussion. As we move further into the online environment, the increasing significance of the Internet is causing these processes to evolve rapidly.
So what exactly does this mean for the communities of people who consume, support, and make new music?
The impact of these changes is potentially enormous. The ability to connect globally with like-minded people means that individuals and smaller communities of practice have the possibility of finding their niche...
In this Issue
- Editorial: A Tangled Web? New Music Online
- by Danielle Carey and Rhiannon Cook
- Taking Advantage of Web 2.0
- by Robert Davidson and
- Digital Inequality
- by David Hirst and
- From Waves to Bytes: Radio Online
- by Stephen Adams and
- Consuming Culture in Context
- by Simon Chambers and
- Telling It As It Is
- Richard Gill on Presenting New Music, by Danielle Carey and Rhiannon Cook
- Notes with Potential to Make Music
- by David Garrett and
- Joe Blog: Who Cares?
- by Rhiannon Cook and Danielle Carey
- Opening Doors to New Music
- by Frank J. Oteri and
- Documenting the Australian Jazz World (not)
- by Miriam Zolin and
- ACID Press: a New Approach to Knowledge Collaboration
- by Jon Drummond and Richard Vella
- World-Wide Webley-Smith
- by Martin Wesley-Smith and
- Jon Rose Web
- by Jon Rose and
- It’s Addictive
- by Cat Hope and
- The Blogger
- by Peter Smith and
- Networking Online
- by Stephen Cronin and
- A Strategy of Exposure
- by Peter McNamara and
- The Australian Sound Design Project
- by Ros Bandt and