When we speak (cello with pre-recorded sound)
by Lisa Cheney (2016)
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The Australian Music Centre's catalogue does not include any recordings or sheet music of this work. This entry is for information purposes only.
It is listed in our catalogue because an event featuring a performance of this work was included in our calendar of Australian music. Details of this performance are listed below.
When We Speak for solo cello and electroacoustic track
seeks to comment on broader issues surrounding gender inequality
and these considerations on my compositional practice. Throughout
the work the interweaving of many 'voices' is present in: my own
musical language, the music and speech of respected Finnish
composer, Kaija Saariaho, the expression of the live cellist and
their own literal voice. This, at times semi-improvised cello
part, weaves its way through an atmospheric soundscape
challenging and questioning the role of the live musician to
blend in, fight against or rise above the sound world. The
accompanying recorded musical sounds are extracted from
Saariaho's own compositions, with special weight placed upon
manipulated excerpts from the solo cello work Sept
Instrumentation: Solo cello, fixed electroacoustic track (requires a stopwatch/phone or app to assist with time keeping).
Duration: 12 min.
Difficulty: Advanced — Includes improvised 'musical response' passages based on given musical material.
Commission note: Commissioned by Samantha Wolf.. Commissioned for the ‘This Will Be Our Reply’ 2016 International Women’s day Concert.
First performance: by Gemma Tomlinson — 6 Mar 16. Melba Hall, Melbourne Conservatorium of Music, VIC
When we speak
Performances of this work
9 Sep 2017: at She Speaks: Voice of Home (National Gallery of Victoria - The Ian Potter Centre).
6 Mar 16: Melba Hall, Melbourne Conservatorium of Music, VIC. Featuring Gemma Tomlinson.
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