Audio Sample
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Performance by Stephen Reeves, Stephen Emmerson from the CD Suspended preludes: chamber music volume two |
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CD
Suspended preludes: chamber music volume two / Andrew Schultz.
Library shelf no. CD 1923 [Available for loan]
Score & Part
Suspended preludes, opus 49 : for double bass and piano [orchestral tuning] / Andrew Schultz.
Library shelf no. 787.5/SCH 2 [Available for loan]
Display all products featuring this work (3 more)
Work Overview
From 1993, Suspended Preludes makes great use of diverse
sound sources, given the limited instrumentation, double bass and
piano. The work, dedicated to Belinda Webster, was commissioned
by Tall Poppies and the Australia Council, and first performed by
Steve Reeves (who edited the double bass part) and Roland Peelman
at the University of Wollongong in November 1993.
The first of the preludes, Resonate, fulfils the function of an
introduction. Double bass chords played pizzicato with three
fingers combine with strumming from 'bottom to top'. The piano is
instructed to release the pedal on its last chord 'very slowly'.
At the beginning of To sleep, the piano is instructed to wedge a
piece of rubber between B and C. The double bass, playing arco,
builds up a form of sighing, punctuated with pizzicato on the
open strings E and A (the bass's tuning is a tone above
orchestral tuning). The end is articulated with glassy
wide-leaping piano notes. The somnolent mood is broken with very
vigorous tapping on or inside the piano (Piano drum).
We are then into a very passionate alternation of dissonant
seventh and ninth chords which breaks into arpeggiated versions
('Rocks in slow flight' - a phrase from a poem by David Malouf),
before being 'grounded' in prelude 5. The sixth prelude is called
Gravity (one would think ironically given the tempo instruction
'very fast and crisp') but the instruments struggle to escape the
earth-boundedness of ostinato. The work returns to the
contemplativeness of earlier moments in Trans, before finishing
with 'joyous' strokes.
Note by Gordon Kalton Williams, c.
Work Details
Year: 1993
Instrumentation: Double bass, piano.
Duration: 12 min.
Difficulty: Advanced
Contents note: 1. Resonate -- 2. To sleep -- 3. Piano drum -- 4. 'Rocks in slow flight' -- 5. Ground -- 6. Gravity - 7. Trans.
Dedication note: Dedicated to Belinda Webster
Commission note: Commissioned by Tall Poppies with funds provided by Australia Council. Music Board.
First performance: by Roland Peelman, Stephen Reeves — Jun 93. University of Wollongong
Revised February 2020.
Analysis
Resonate article: Australian music for the double bass - a personal introduction by Jim Coyle
Subjects
- In the form/style of: Preludes
Performances of this work
4 Jul 2020: at Gravity / Brisbane Music Festival (Live streaming event (online only)). Featuring Alex Raineri, Marian Heckenberg.
11 Dec 2019: at Slow Flight (Bowen Terrace Studio). Featuring Alex Raineri, Marian Heckenberg.
16 Oct 2012: at Australian Voices - Andrew Schultz (Melbourne Recital Centre).
Nov 93: University of Wollongong. Featuring Roland Peelman, Stephen Reeves.
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