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Lachlan Skipworth : Represented Artist

Lachlan Skipworth's vivid musical language communicates a unique personal voice across orchestral, chamber, vocal and experimental music, and is coloured by three years spent in Japan, where his immersion in the study of the shakuhachi bamboo flute inevitably became a part of his muse.

Random Audio Sample: the night sky fall : for clarinet, cello and piano by Lachlan Skipworth, from the CD Lachlan Skipworth.


Photo of Lachlan Skipworth

Photo: Tallulah Chong

The music of Australian composer Lachlan Skipworth has been described by Limelight magazine as featuring 'bold, innovative textures, and compelling melody'. His vivid musical language communicates a unique personal voice across orchestral, chamber, vocal and experimental music, and is coloured by three years spent in Japan, where his immersion in the study of the shakuhachi bamboo flute inevitably became a part of his muse. His compositions display a craft grounded upon the sensitive assimilation of musical sources, a rare technical skill in sonic construction, and a highly imaginative deployment of ideas. It is therefore no surprise that he is at the forefront of his generation of Australian composers.

Winning the prestigious Paul Lowin Prize for orchestral composition in 2016 established Skipworth's reputation, and is a significant marker of the broader industry recognition of his talent. The winning work, his Concerto for Clarinet and Orchestra, also earned the Performance of the Year APRA Art Music Award for its premiere performance by the West Australian Symphony Orchestra, and was chosen by ABC Classic FM to be presented at the 2016 International Rostrum of Composers in Poland.

Skipworth's works attract further international attention on a regular basis. Spiritus won the 2017 Albert H Maggs award and was also selected by the New England Philharmonic from over 200 submissions as the winner of their annual call for scores for performance in 2018. The International Society for Contemporary Music selected his Dark Nebulae and Clarinet Quintet as the official Australian work presented at their World Music Days in Slovenia (2015) and Vancouver (2017) respectively. In 2017, the Tokyo Philharmonic Chorus commissioned his Hymns in Reverie for performance at the Dai-Ichi Seimei Hall. His latest work Breath of Thunder for the Sydney Symphony Orchestra and Japanese drumming group Taikoz is a culmination of his time spent in Japan learning shakuhachi and developing his deep understanding of its ancient musical culture.

Skipworth holds degrees from the University of Western Australia (B.Mus.Ed) and the Sydney Conservatorium of Music (M.Mus., Ph.D.) where he studied with composers Roger Smalley and Anne Boyd respectively. Further afield, he spent two semesters in Germany undertaking a kontaktstudium at the Freiburg Hochschule fur Musik with leading international composer and clarinettist Prof. Jorg Widmann. Skipworth's main shakuhachi teachers are the revered masters Kakizakai Kaoru and Yokoyama Katsuya.


Lachlan Skipworth — current to September 2018

Collaborated with

Louise Devenish (1999 - current)

Bronwyn Kirkpatrick (2008 - current)

Sydney Symphony Fellowship (2009 - 2011)

Ashley Smith (2010 - current)

West Australian Symphony Orchestra (2012 - current)

Chris Dragon (2014 - current)

Melbourne Symphony Orchestra (2014)

Emily Green-Armytage (2015 - current)

Musica Viva Australia (2015 - current)

TaikOz (2017 - 2018)

Sydney Symphony Orchestra (2018)

Intercurrent

 

Studied with

Roger Smalley (2003 - 2005)

Iain Grandage (2004)

Riley Lee (2004 - current)

Anne Boyd (2008 - 2016)

Jörg Widmann (2010 - 2011)

 

Teacher/Influence on

Alex Turley

Selected Commissions

  Work Commission Details
The Tides of Longing (multiple choirs with orchestra) (2023) The Tides of Longing commissioned for WASO by Geoff Stearn & a private Song Book supporter.
Digital sheet music sample Altiora Peto : for trumpet and strings (piano reduction) (2021) Commissioned by Tony Lennon for the occasion of his 80th Birthday, and named Altiora Peto after the motto of the St Louis School, Claremont, of which Tony is an alumni.
Fanfara : for orchestra (2021) This work, written by Lachlan Skipworth, was made possible through the Sydney Symphony Orchestra’s 50 Fanfares Project
Digital sheet music sample Sonata : for flute and piano (2020) Commissioned with support from Creative Partnerships Australia through the Australian Cultural Fund. With thanks to Geoff Stearn.
Digital sheet music sample Oboe quartet : for oboe, piano, violin, cello (2020) Commissioned for Musica Viva Australia in memory of Anne and Alan Blanckensee, by their son Andrew, family and friends.
Digital sheet music sample Yuwani : for lambirlpil, voice and large orchestra (2019) Commissioned by Darwin Symphony Orchestra.