Martin Wesley-Smith : Represented Artist
Random Audio Sample: Olya's waltz : for piano (from 'On A.I Petrof' ) by Martin Wesley-Smith, from the CD Biodiversity. Volume 2
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Photo: Oliver Radic
Artist website: http://www.shoalhaven.net.au/~mwsmith
Born in Adelaide in 1945, Martin Wesley-Smith taught composition and electronic music at the Sydney Conservatorium of Music, where he founded and directed its Electronic Music Studio. He is a pioneer in Australia of audiovisual composition.
Wesley-Smith has eclectic tastes and interests, his output ranging from children's songs to environmental events. His work has explored two main themes: (i) the life, work and ideas of Lewis Carroll (e.g. Snark-Hunting, Boojum!); and (ii) the plight of the people of East Timor, e.g. Kdadalak (For the Children of Timor) and A Luta Continua.
He has explored other issues, too: Who Killed Cock Robin? (1979) has a choir wondering if the real culprit was not the sparrow with his bow and arrow but pesticides instead; Weapons of Mass Distortion (2003) deplores official propaganda, doublespeak, lies etc, especially those that led to the 2003 invasion of Iraq; and Papua Merdeka (2005) brings attention, through sound and image, to the suffering of the people of West Papua.
Non-issue-based pieces include For Marimba & Tape (1982), which is regularly performed, in its various versions, all over the world.
Wesley-Smith has presented many concerts of his audiovisual pieces with Ros Dunlop (clarinets) and Julia Ryder (cello), both in Australia and overseas.
He founded the electronic music and audio-visual performing collective watt (1976-1998), which presented a regular series of concerts in Sydney. He was Musical Director of TREE, a group whose final environmental event at Wattamolla Beach in Sydney's Royal National Park in 1983 attracted more than ten thousand people.
Many of Wesley-Smith's songs and choral works use words by his twin brother Peter Wesley-Smith. In 1997 their 'documentary music drama' Quito, about schizophrenia and East Timor, was awarded the Paul Lowin Composition Award (Song Cycle). The Song Company has performed this work in Amsterdam, den Bosch, Copenhagen, Gent, Groningen, Hong Kong, Kuala Lumpur and Cascais (Portugal) as well as in Sydney and Kangaroo Valley (where Wesley-Smith now lives). In 1987 he received the Australia Council's Don Banks Composer Fellowship. In 1998 he was awarded an AM (Order of Australia) for services to 'music, as a composer, scriptwriter, children's songwriter, lecturer, presenter of multi-media concerts and a member of various Australia Council boards and committees'.
Wesley-Smith sings in and directs a seven-member a cappella group called the Thirsty Night Singers, based in Kangaroo Valley. In 2010 his music theatre piece Boojum! was produced by Chicago Opera Vanguard.
Martin Wesley-Smith — current to March 2012
Awards & Prizes
|1998||Classical Music Awards - Long-Term Contribution to the Advancement of Australian Music||Winner|
|1998||Order of Australia||Member of the Order||For service to music|
|1997||Paul Lowin Song Cycle Prize||Winner||Quito|
|1987||Don Banks Music Award||Recipient|
||X : electronics||Commissioned by Gerard Errante.|
|Weapons of mass distortion (clarinet with pre-recorded sound) (2003)||Commissioned by Ros Dunlop.|
||Merry-go-round : electroacoustic (2002)||Commissioned by Charisma.|
||Kolele Mai 1 : for solo guitar (2002)||Commissioned by Tim Kain.|
|Kolele Mai 2 : guitar solo (2002)||Commissioned by Tim Kain.|
||Welcome to the Hotel Turismo : for cello and CD (2000)||Commissioned by Tall Poppies for performance by David Pereira.|
Analysis & Media
- Article: Untamed melodies at the frontiers of sound
- Program note: Songs from Quito
- Review: Quito Matin Wesley Smith
- Review: Quito Martin Wesley Smith November 1994
- Review: Quito Martin Wesley-Smith November 1994
- Program note: Martin Wesley Smith 50th Birthday Concert
- Program note: Quito for six singers and tape (1997)