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Born in Adelaide in 1945, Martin Wesley–Smith taught composition and electronic music at the Sydney Conservatorium of Music, where he founded and directed its Electronic Music Studio.

Wesley–Smith has eclectic tastes and interests, his output ranging from children's songs to environmental events. He is a pioneer in Australia of audio–visual composition. His work has explored two main themes: (i) the life, work and ideas of Lewis Carroll (e.g. Snark–Hunting, Boojum!); and (ii) the plight of the people of East Timor (e.g. Kdadalak (For the Children of Timor) and A Luta Continua).

He has explored other issues, too: Who Killed Cock Robin? (1979) has a choir wondering if the real culprit was not the sparrow with his bow and arrow but pesticides instead; Weapons of Mass Distortion (2003) deplores official propaganda, doublespeak, lies etc, especially those that led to the 2003 invasion of Iraq; and Papua Merdeka (2005) brings attention, through sound and image, to the suffering of the people of West Papua.

Non–issue–based pieces include For Marimba & Tape (1982), which is still regularly performed, in its various versions, all over the world.

Wesley–Smith often presents concerts of his audio–visual pieces with Ros Dunlop (clarinets) and Julia Ryder (cello), including numerous international tours.

His electronic music and audio–visual performing group watt (1976–1998) performed in many countries overseas in addition to presenting a regular series of concerts in Sydney. He was Musical Director of TREE, a group whose final environmental event at Wattamolla Beach in Sydney's Royal National Park in 1983 attracted more than ten thousand people.

Many of Wesley–Smith's songs and choral works use words by his twin brother Peter Wesley–Smith. In 1997 their 'documentary music drama' Quito, about schizophrenia and East Timor, was awarded the Paul Lowin Composition Award (Song Cycle). The Song Company has performed this work in Amsterdam, den Bosch, Copenhagen, Gent, Groningen, Hong Kong, Kuala Lumpur and Cascais (Portugal) as well as in Sydney and Kangaroo Valley (where Wesley–Smith now lives). In 1987 he received the Australia Council's Don Banks Composer Fellowship. In 1998 he was awarded an AM (Order of Australia) for services to 'music, as a composer, scriptwriter, children's songwriter, lecturer, presenter of multi–media concerts and a member of various Australia Council boards and committees'.

Recent works include Seven Widows at the Gates of Sugamo, for seven singing female harpists and choir (2008), and Eyeless in Gaza, for soprano, piano and cello (2009).

Biography provided by the composer — current to 2009