Lee Bracegirdle : Represented Artist
- Browse works by Lee Bracegirdle
- Browse articles by and about Lee Bracegirdle
- Browse events featuring music by Lee Bracegirdle
Artist website: http://www.LeeBracegirdle.net
Lee Bracegirdle has held positions as principal horn in orchestras on 3 continents spanning more than 3 decades. His career as a composer began in 1998 as winner of the Kodaly Composers' Competition (Chicago), which led to numerous commissions and requests for new works from his orchestral colleagues. Since 2008 his compositions have been published by C.F. Peters. As a conductor he trained at Salzburg's Mozarteum and he now conducts orchestras in Australia and Latin America.
A native of Philadelphia, he began studying keyboard and various wind instruments, settling with the French horn at age 14. His tertiary studies were at the Philadelphia Musical Academy specialising in horn and organ, then at the Juilliard School in New York as a horn student of James Chambers, earning BM and MM degrees. Among the mentors at Juilliard who influenced his compositional style were the composers Pierre Boulez, Vincent Persichetti, Jacob Druckman and Robert Starer.
In 1976-77 he was co-principal horn with Mexico's Orquesta Filarmónica de la UNAM and principal horn with the México City Chamber Orchestra. In 1977 he was appointed solo horn with the Hof Symphony Orchestra in Bavaria, where he co-founded Germany's premier brass quintet, Rekkenze Brass.
He became Associate Principal Horn with the Sydney Symphony Orchestra in 1980, where he served until his retirement in 2012. He has made numerous recordings for the Australian Broadcasting Corporation as a soloist, chamber musician and principal horn. He has edited horn studies for the I.M.C. in New York, and his original studies and brass chamber music are published by 3-C Musikverlag in Bochum, Germany. He has given horn masterclasses in conservatoria in Europe and in North and South America.
From 1990-1992 he studied conducting with Michael Gielen at the Salzburg Mozarteum, took part in master classes with Sergiu Celibidache, and made his conducting debut in 1990 with the Orchestra of the Mozarteum. Since 1996 he has been musical director of the Australian Chamber Ballet.
He was awarded an
honorary diploma from the Chicago-based Kodaly Academy and was
subsequently commissioned by the Sydney Symphony Orchestra for
three new compositions: Variations for
Orchestra, Ammerseelieder and Euphonium Concerto.
Further requests for solo works from
his orchestral colleagues have been: Landscape Visions for
orchestra, Passacaglia and
Gigues for double-bass and chamber
orchestra, and Violin
Concerto. In 2007 the American
Wind Symphony Orchestra commissioned
and premiered Threnos for horn and
symphonic winds, and, in 2014, the SSO premiered his
Legends of the Old Castle
for solo harp, winds and percussion.
His Violin Concerto
was premiered in 2015 with the SSO's former
concertmaster Michael Dauth as soloist. His Triptych for
saxophone and orchestra is scheduled to be premiered in
He was composer in residence at Bundanon in 2003 and 2013 and at the Brahmshaus in Baden-Baden, Germany, in 2012 and 2014.
Lee Bracegirdle — current to May 2018
Pierre Boulez (1972 - 1976)
Nigel Butterley (1980 - 1997)
Richard Gill (1980 - 2002)
Scott Kinmont (1994 - 2008)
Georges Lentz (1998 - current)
Michael Dauth (2010 - 2015)
Vincent Persichetti (1973 - 1974)
Robert Starer (1974 - 1975)
Jacob Druckman (1975 - 1976)
||Triptych : for saxophone and orchestra (2017)||Composed at the request of Sydney saxophonist Christina Leonard|
||Legends of the old castle : for harp, symphonic winds and percussion (2012)||Commissioned by Robert Boudreau, American Wind Symphony Orchestra.|
||Concerto for euphonium and orchestra (euphonium with full orchestra) (2007)||Commissioned for Sydney Symphony's 'Meet the Music' series|
||Threnos : for solo horn, winds and percussion (2007)||Commissioned by the American Wind Symphony Orchestra|
|Ammerseelieder (low voice with piano) (2005)||Commissioned by Symphony Australia.|
||Ammerseelieder (low voice with orchestra) (2005)||Commissioned by Symphony Australia.|