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Resonate Feature Articles

In-depth articles discussing issues relating to Australia's new music scene - you can also browse our archive of all feature articles.

Insight: 'Le Sacre du Primetime' <sup>1</sup>

Insight: 'Le Sacre du Primetime' 1

Thomas Meadowcroft's The News In Music (Tabloid Lament) was premiered by the SWR Symphonieorchester (Southwest German Radio Symphony Orchestra) under the direction of Ilan Volkov at the prestigous Donaueschinger Musiktage festival in Germany in October 2017. At the first performance, the piece was greeted with heckles and expletives from the audience. In this article in our 'Insight' series, the composer gives some background to the piece, as well as responds to the heated reception.

Diana Blom - composer & animateur

Diana Blom - composer & animateur

Our warmest congratulations, this month, go to composer Diana Blom who turns 70 on 10 November 2017. We asked a long-term friend and collaborator Michael Hannan to write his thoughts about Diana Blom's music and the many projects and collaborations where she has been - and continues to be - a driving force.

Greenbaum Sonata Project

Greenbaum Sonata Project

Stuart Greenbaum writes about his impressive series of sonatas, at the same time revealing a lot of interesting detail about his work in general, from its inspirations down to his approach to style and structure in his music. Greenbaum's next sonata premiere will take place on 14 November as part of ANAM's concert series at the South Melbourne Town Hall.

Phillip Houghton (1954-2017)

Phillip Houghton (1954-2017)

Phillip Houghton was a highly original Australian guitarist, composer and teacher. His compositions for solo guitar and ensembles used pictorial gestures in a powerfully intuitive way, exploiting the full spectrum of the guitar’s sound palette. Notably, a number of these works were championed by the guitarist John Williams, who was an important source of encouragement and support for Houghton’s work, and whose advocacy increased its reach beyond Australia.  In the latter decades, Houghton took his intimate knowledge of the instrument, powerful musicality and perceptive grasp of technique into teaching work with a large number of early-career guitar students. He was one of the great, defining figures of the Australian guitar scene, and his passing leaves it greatly diminished.

What follows below is a personal reflection written in the days after his passing...

Indigenous Composer Initiative - towards a gentle correction

Indigenous Composer Initiative - towards a gentle correction

The first instalment of the AMPlify Indigenous Composer Initiative artist development program took place in 2017, with planning now underway for the second run. This article by Chris Sainsbury is edited from his presentation af the 2017 IAML Australia conference in Canberra on 28 September.

Insight: <em>Vivre Sa Vie, Composer’s Cut</em>

Insight: Vivre Sa Vie, Composer’s Cut

Felicity Wilcox writes about her work Vivre Sa Vie - Composer's Cut (2017), premiered in the Australia Ensemble's Sound of Pictures concert earlier this month, together with music composed for film by Andrew Ford, Arthur Benjamin, Bernard Herrmann, Nino Rota and Dmitri Shostakovich. Wilcox managed to secure permission from the famous French film director Jean-Luc Godard to create her own 'composer's cut' - here, the composer explains her musical choices and the difficulty of turning a full-length movie masterpiece into a 15-minute short film.

Browse our archive of all feature articles