Resonate Blogs
Articles by sound artists, composers, performers and teachers discussing contemporary practice - you can also browse our archive of all blog articles

Meet the AMC: Meeghan Oliver
by Australian Music Centre
Meet the AMC staff. Meeghan Oliver is our Library and Music Resources Officer, and has over ten years of specialist library experience under her belt.

Konzertprojekt: Storytelling Through Music and Art
by Maddy Briggs
Maddy Briggs, composer and co-curator of Konzertprojekt's Sound Stories series, reflects on telling stories through sound and art, and the mission to make new music and its diversity accessible.

MOMENTUM - On Creative Philanthropy and Kindness
by Rosalind Page
As the end of 2021 approached, we reached out to composer, Dr Rosalind Page, and asked her if she might like put on paper some of the thoughts that had occupied her mind over the many months of the pandemic. We had a specific reason to go to her with this request - and we're now absolutely delighted to reveal the identity of our original founding MOMENTUM donor and the person behind the initiative that helped to sustain some of our artists over the pandemic. The AMC would now like to express our public and profound thanks to Rosalind!

Creating Bass Instincts
by Alicia Crossley
Alicia Crossley writes about her new album featuring works for bass recorder by seven Australian women composers. Bass Instincts (Move) is available for purchase in CD format from the AMC Shop, as well as via streaming services.

My lockdown Zoom album collab with Jalal Mahamede
by Keyna Wilkins
Keyna Wilkins writes about her new collaboration with Jalal Mahamede – refugee, poet, artist and a detainee for nine years. The related album is out on 17 November through online streaming platforms, with CDs available from www.keynawilkins.com and selected music stores (all profits going to the poet).

Luke Paulding and ELISION
by Daryl Buckley
In early 2013 ELISION had the pleasure and privilege of working with composer Luke Paulding. A European residency project funded through the IETM-Australia Council for the Arts Collaboration Project enabled us to commission and give performances of ‘where dust is in their mouths and clay is their food’. A succession of concerts followed...
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