Barbara Durham : Pedagogical Artist
Born in 1952 in Sunshine in the Western Suburbs of Melbourne, Barbara Durham trained at Melbourne University obtaining the degrees of Bachelor of Music and Bachelor of Music Education and Graduate Diploma of Librarianship at Canberra CAE. She studied harmony and counterpoint with Bernard de Oliveira, piano with May Clifford and Rodney Sigston and, later, flute with Frederick Shade and Dennis Dorwick.
Her career has included many years of private teaching mostly piano and 16 years with the Victorian Department of Education mostly as an instrumental (woodwind) teacher (Geelong and Swan Hill). The latter included teaching flute, clarinet, saxophone, some brass, leading ensembles and conducting concert bands. She currently teaches piano and woodwind privately.
After a period of illness, she started to compose music in 2001. Her works include mostly piano solos (intermediate to advanced), some choral, flute, ensemble and concert band music. Since 2002, she has self-published many of her works; Wirripang republished two of her piano solo collections: Relaxation for Piano: Back to Nature and Blowing in the Wind and two choral works (2014). and two choral compositions (2014). She has just self-published a collection of 9 piano solos Relaxation with Nature (feb 2018) which is a continuation of Relaxation for Piano. Her self-published output includes mostly educational piano solos (intermediate to advanced), some choral music and music for flute choir. She has also written many short unpublished piano solos and ensembles including jazz and blues styles for her students.
Much of her music is inspired by nature and Australiana including the seaside coastal town of Aireys Inlet, along the Great Ocean Road in Victoria. Two pieces for piano solo are currently on the VCE Prescribed list of notated solo works: pianoforte: Wind Chimes and Gum Trees Sighing on a Stormy night (from Blowing in the wind: Australia / Blowing in the Wind). Two pieces for piano solo are on the Australian Music Examination Board Piano syllabus: Birds in the Swamp (Grade 5, from Relaxation for Piano: Back to Nature) and Wind Chimes. The choral work The Lyrebird (SSA, piano and temple blocks) had its premiere public performance by the Melbourne Women's Choir conducted by Faye Dumont in May 2014.
Most of Barbara Durham's works are totally unrelated to each other but each work is part of a collective unique sonority which suggests that they are written by the same person. They do not copy any particular style. Tempo and metric changes, melodic lyricism and varied articulations according to the nature of a particular piece are characteristic of Durham's style. Her harmonic language is summed up by Elizabeth Mitchell in her review of Durham's piano solo collection entitled Relaxation for piano: back to nature as 'often mildly dissonant: an effective introduction to more adventurous harmonic resources for those students who may be resistant to a wider chord vocabulary (Music and the Teacher, March 2003)'.
Barbara Durham — current to February 2018
||Wind chimes : for piano solo (2003)||Dedicated to the Bells in Federation Square, Melbourne|