Moses Kington-Walberg : Associate Artist
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Artist website: http://mosesmohammed.com
Moses Mohammed Kington-Walberg is a sound artist from the WA Wheatbelt. His work spans experimental composition, sound improvisation, and multimedia arts.
Moses studied composition at the University of Western Australia under the supervision of James Ledger, and completed an Honours at the University of Melbourne in 2023 under Elliott Gyger. Moses is also an alumnus of various composer programs, including those with the AYO, AAO, WASO, Fairbanks Summer Arts Festival, and Tura.
As a composer, Moses has written for a range of projects across Australia and internationally. His compositions are deeply collaborative and experimental, vibrating to themes of attention, relationality, ecology, and the relationship between the ordinary and the unusual. Central to his practice is graphic and exploratory notation, from which he channels playful, dynamic, and texturally driven soundworlds. Some awards Moses has received for his compositions include the Schenberg Music Fellowship, Ransom Prize, Bendat Scholarship, and the Marshall McGuire Emerging Composer Commission.
As an interdisciplinary artist, Moses has held residencies with Bundanon, PICA, and Saruya, and showcased projects with spaces such as FORM Gallery, Curtin Gallery, the Lawrence Wilson Art Gallery, the WA Maritime Museum, and Sarah Scouts Presents. He contributes as an amateur organiser in the Perth community, and regularly performs in free improvisation and electronic music settings. Moses' primary instrument is the trombone, through which he has developed a distinctive intercultural practice informed by his studies in Didgeridoo/Yidaki and First Nations cultures.
Moses Kington-Walberg — current to October 2025
Selected Commissions
Work | Commission Details | |
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Atlas : String quartet and percussion (2023) | Commissioned by FORM: Building a State of Creativity for their 2023 exhibition "Storm the Gods and Shake the Universe" | |
Untitled (Tracing Moonlite) : Fixed tape with recorded flute and field recordings (2022) | Commissioned by Drew Pettifer. | |
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The Piercing Gaze of a Submerged Creature : Double bass, with preparations (2021) | Written for the West Australian Symphony Orchestra's Composition Project |