Vaughan McAlley : Associate Artist
Random Audio Sample: Omnes angeli : SATBarB choir by Vaughan McAlley, from the CD Selected Works by AMC Represented Artists, vol. 46.
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Photo: Leonie Tonkin
Artist website: http://www.mcalley.net.au
Vaughan McAlley briefly studied flute at the University of Melbourne with Prudence Davis before specialising in composition under Brenton Broadstock and musicology under John Griffiths and John O'Donnell. He spent many years playing in orchestras and developing a firm grasp of instrumentation and orchestration. Since joining the chamber choir Ensemble Gombert in 1999 he has developed a love of Renaissance music and has sung a large number of Renaissance works as well as editing a number of pieces himself.
His main compositional medium is choral music,
exploring the potential of the relatively strict rules of
Renaissance counterpoint combined with just intonation, a
typically choral method of tuning. Major works include the
for orchestra (2003), Missa Cælestis for choir
(2003), Veritas de terra orta
est for choir (2005-2009),
Four Chorale Preludes in Mass
Form for piano (2008), written for
Michael Kieran Harvey, Chaconne for double string
orchestra (2009). Ensemble Gombert has performed
Missa Cælestis in 2007, and Veritas de terra
orta est in 2009, both recorded by
ABC Classic-FM. For his fortieth birthday party in 2010, Vaughan
McAlley organised a performance of Tallis's
Spem in alium,
and presented the first section of his own forty-part
angeli. In October 2013, after two
and a half years of composing, he presented the complete motet in
the Dome at 333 Collins Street, performed by Ensemble Gombert and
directed by John O'Donnell. Since he has become a father he has
slowly composed a string quartet and a requiem.
Vaughan McAlley is the principal tenor at Scots Church in Melbourne, was happily married in 2007, has two excellent daughters, and enjoys saunas and computer programming.
Vaughan McAlley — current to September 2019