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Russian Cello

CD

Russian Cello / Zoe Knighton, Amir Farid

  • Published by Move Records — April, 2015 [MD 3390] — 1 CD
  • Purchase Price: $22.73 (Usually ships in 1-6 days) — Add to Cart
  • Library Availability: This item is not available from the Australian Music Centre Library

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Enter the world of Russia. Zoe Knighton and Amir Farid present a mix of unknown works alongside much loved classics. The recording celebrates a romanticism in composition inspired by the combination of cello and piano.

A duo that relishes playing unknown works alongside much loved classics, Zoe Knighton and Amir Farid enter the world of Russia with the launch of their their fifth CD on the MOVE label - Russian Cello.

Inspired by the combination of cello and piano, they perform works by Rachmaninov, Gretchaninoff, Prokofiev, Stravinksy and Glière in a CD celebrating a romanticism in composition.

"This CD is chockablock with luscious melody after luscious melody. These Russian composers really knew how to tear at heart strings and to make an audience sit up and listen" writes cellist Zoe Knighton "It has been a really rewarding CD to record - we are particularly proud of unearthing the Gretchaninov sonata which is a real gem."

Reviewing the concert to launch the CD on 20 April 2015, Joel Carnegie (The Age) said: "Endearing and earnest, the duo commenced the concert with the crowd pleasing Vocalise from Rachmaninoff - a performance that offered exquisite and at times surprising moments from the pair. Grechaninov's Sonata for cello and piano in E, Op.133 followed - with the contrasting and extended work allowing for jaunty dance-like sequences, floating cello lines, and vigorous melodic back and forths between cello and piano - requiring complete focus from Knighton and Farid.

"Glazunov's Elegy in G minor, Op. 44 continued the exploration of mood, with cellist and pianist presenting a collection of emotional states, in this sombre lament for a deceased person. Knighton's reflective and 'heart softening' cello lines in particular were particularly noteworthy.

"Stravinsky's Russian Maiden's Song from his comic one-act opera Mavra set Knighton and Farid the task of depicting a woman embroidering in her living room. Gliere's Album Leaf No. 5 offered the pair space to indulge the audience with some quiet contemplation, and Prokofiev's Sonata in C, Op. 119 rounded out an well-rounded evening of hallmark expat Russian fare."


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