Digital Audio AlbumChromaticity : Live / Vicki Hallett.
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$POA
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Featured Australian works
Work | Composer | Performers | Duration | |
---|---|---|---|---|
Chromaticity (2020) — clarinet with pre-recorded sound |
Vicki Hallett | Vicki Hallett | 15 mins, 53 sec. |
Product details
Chromaticity is an installation and performance featuring
photographic images, live clarinet improvisation and a generative
soundscape incorporating instrumental samples and environmental
field recordings from the You Yangs, Victoria, Australia. The
images, live improvisation and recordings form a visual and aural
installation to create an emotional and environmental response to
the landscape and a sense of connection with the essence of the
You Yangs.
Field recordings of the You Yang environment inform the "sonic
postcard" nature of Chromaticity's generative soundscape.
Features such as the drone of a major highway, trains, a working
quarry, children playing, bush-walking and mountain-bike riding
area and other anthropogenic sounds are retained to reveal the
current day sonic space.
The three images of the You Yangs, taken at dawn, meridian and
dusk, reveal a dynamic and vivid spectrum of landscape colours.
Each image informs a 5-minute movement of the work. A fourth
image is projected directly onto the performer - in a sense,
immersing them in the landscape.
For each image, parameters were assigned for sample and note duration, mode, tempo, sound density
and pitch. The electromagnetic frequencies of the light spectrum
were related to frequencies of sound waves and the saturation of
colour determined the intensity of the sounds. Images were mapped
and assigned notes with sounds of interest within the field
recordings inspiring small motifs and cells to be sampled -
performed on a range of instruments (Bass Clarinet, Taegum, Flute
and small percussion instruments).
A Max/MSP patch controls playback of field recordings associated
with the time of day of each movement and provides a mechanism by
which the sampled motifs and cells are triggered to form a
harmonic backdrop for the clarinet improvisation. The contours of
the landscape, as captured by Millen, are mapped to derive data
input for control of parameters within the Max patch, and to
suggest target notes for the clarinetist's improvisation in a
small window within the patch. Thus, the patch containing this
window, along with the images and mapping of their contours
becomes a supplementary score for the performer to follow during
live performance (along with the composer's notes describing
tonality and motifs of each section).
I. Dawn -- II. Meridian -- III. Dusk.
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