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Sheet Music: Score

Datamosh : for double bass solo / Tristan Coelho.

by Tristan Coelho (2020)


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Datamosh draws from the video manipulation technique of the same name which involves layers of multiple clips colliding or being 'moshed' together. The technique involves 'lossy' compression and 'dropped frames' to create glitchy, psychedelic effects. These ideas are realised in the music by way of lo-fi approaches on the double bass that embrace imperfections and noise through variations in ricochet bowing (throwing the bow across the strings), a technique that is prone to beautiful, natural inconsistencies due to the numerous variables involved in its execution. Datamosh invites the performer to negotiate different layers of physicality involving ricochet being superimposed on top of other techniques including glisses, arpeggiando harmonics and hammer-ons.

Published by: Australian Music Centre — 1 facsimile score (3p. -- A4 (portrait))

Difficulty: Advanced

Duration: 2 min.

Commission info: Commissioned by BackStage Music for their Offstage recording project.

Includes performance notes.

The composer notes the following styles, genres, influences, etc in relation to this work:

Glitch, technology

This is a handwritten edition — it is not typeset.

ISMN: 979-0-67311-997-0

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