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Sheet Music: ScoreMagnificat and Nunc Dimittis / Keren Terpstra.by Keren Terpstra (2002)
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Product details
Magnificat and Nunc Dimittis: for Floreat was commissioned by Floreat, a group of six women based at St Peter's Eastern Hill, Melbourne. Written in February, it was premiered at the Melbourne Art Gallery in May 2002 as part of a series of afternoon performances. Although the commission originally was for a concert work, this setting is very adaptable to liturgical use, and has been performed as part of the liturgy at Evensong in several places to great effect. Evensong is the Anglican evening office from the Book of Common Prayer 1662; this work is a setting of the two canticles most commonly used at that service.
The music of this work features a variety of interplay between parts, from the antiphonal pitting of one voice against the other two, to imitative polyphony, and limpid homophony. It is primarily modal, although pitch centers in the work do switch; it is the first of a series of experiments with the principle of "intersection of modes", whereby, for example as in this work, the Plagal mode on E will be combined with a Dorian mode on E, together pointing in several other modal directions.
The use of only three vocal parts, together with sparse imitation lend the work as a whole an austerity characteristic of late Medieval music. This is summarized particularly in the open 5th/octave chord which concludes the Gloria Patri.
Published by: Australian Music Centre — 1 facsimile score (11p. -- A4 (portrait))
Difficulty: Medium
Duration: 6 min.
Commissioned by Floreat.
First performance by Floreat — 19 May 02. Melbourne Art Gallery
Includes programme notes.
Typeset edition.
This edition produced 22 Jan 06.
ISMN: 979-0-720207-63-6
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