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Selected Works by AMC Represented Artists, vol. 88

CD

Selected Works by AMC Represented Artists, vol. 88 / Works by Luke Styles.

  • 2 CDs (94 min.)
  • Sales Availability: This item is not commercially available from the Australian Music Centre. We regret that we cannot offer it for sale.
  • Library Availability: CD 2908 — Available for loan

Non-Commercial

This item is not commercially available from the Australian Music Centre. We regret that we cannot offer it for sale.

Featured Australian works

  Work Composer PerformersDuration
BAWN (2008) — duos: flute, saxophone
Luke Styles Chronology Arts 7 mins, 39 sec.
Bodice and ribbons (2015) — quintets: flute, oboe, violin, viola, cello
Recorded/performed at: Melbourne Recital Centre, VIC, on 13 Aug 15.
Luke Styles Inventi Ensemble 13 mins, 3 sec.
Handspun (2012) for cellist and aerialist
Recorded/performed at: Linbury Studio, Royal Opera House Covent Garden, on 23 Feb 12.
Luke Styles Louise McMonagle 25 mins, 9 sec.
How They Creep (2011) for mezzo-soprano, tenor, flute, clarinet, violin and cello
Recorded/performed at: Glyndebourne Opera House, on 27 May 12.
Luke Styles Members of London Philharmonic Orchestra, Luke Styles 4 mins, 25 sec.
Macbeth (2015) a chamber opera — 'Scenes 1-3'
Recorded/performed at: Linbury Studio Theatre, Royal Opera House (UK), United Kingdom, on 3 Sep 15.
Luke Styles Glyndebourne Opera, London Philharmonic Orchestra 10 mins, 25 sec.
Parallax of Mars (2014) — solo double bass
Recorded/performed at: Alternative Visions, British Film Institute, London, on 10 Dec 14.
Luke Styles Enno Senft 7 mins, 25 sec.
Ripples of Como (2013) for clarinet with string quartet
Recorded/performed at: King's Place, London UK, on 6 Oct 13.
Luke Styles Ensemble Amorpha, Timothy Orpen 17 mins, 16 sec.
Toccata and Fugue; arr. (2016) for chamber orchestra
Recorded/performed at: Village Underground, London UK, on 17 Feb 16.
Luke Styles City of London Sinfonia 8 mins, 33 sec.

Product details

Duration: 94 min.

Non-commercial recording. For study purposes only.


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