CDSemblances / Thomas Reiner.
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$POA
This item may be available to purchase from the Australian Music Centre. |
Featured Australian works
Work | Composer | Performers | Duration | |
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Dust for soprano with ensemble Recorded/performed at: Move Records studio, Eaglemont, Vic, on 2013. |
Thomas Reiner | Jessica Aszodi, Kim Tan, Peter Dumsday | 7 mins, 39 sec. |
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Forlorn — solo flugelhorn Recorded/performed at: Sir Zelman Cowan School of Music, Monash University, Clayton, Vic., on 2012. |
Thomas Reiner | Tristram Williams | 5 mins, 36 sec. |
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Geister for soprano with ensemble Recorded/performed at: ISSM Rinaldo Franci, Siena, Italy, on 2013. |
Thomas Reiner | Silvia Tocchini, Luciano Tristaino, Francesco Gesualdi, Luigi Attademo, Gisbert Watty | 15 mins, 47 sec. |
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Geister — solo piano — Intermezzo Recorded/performed at: Move Records studio, Eaglemont, Vic., on 2013. |
Thomas Reiner | Kenji Fujimura, Adrian Tosello | 3 mins, 46 sec. |
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Half Moon Bay — trios: keyboard, string, woodwind Recorded/performed at: ISSM Rinaldo Franci, Siena, Italy, on 2013. |
Thomas Reiner | Luciano Tristaino, Gisbert Watty, Alessandra Gentile | 3 mins, 44 sec. |
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Semblance of innocence in a ruptured dwelling (2010) for clarinet, piano, and cello Recorded/performed at: Abtei Brauweiler (near Cologne), Germany, on 2013. |
Thomas Reiner | Thomas Meyer, Teemu Myöhänen, Dorothea Eppendorf | 10 mins, 15 sec. |
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Spontaneity of thought for solo alto flute Recorded/performed at: Move Records studio, Eaglemont, Vic., on 2013. |
Thomas Reiner | Peter Sheridan | 4 mins, 16 sec. |
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Sweet-spots (2006) concerto for contrabass clarinet and ensemble Recorded/performed at: Northern Light Church, Juneau, Alaska, on 7 Sep 06. |
Thomas Reiner | Kevin Schempf, CrossSound Sinfonietta, Stewart Emerson | 10 mins, 9 sec. |
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Twilight in Brunswick for solo alto flute Recorded/performed at: Move Records studio, Eaglemont, Vic., on 2013. |
Thomas Reiner | Kim Tan | 2 mins, 18 sec. |
Product details
Regarding the dialectic of semblance and actuality, rather than being simple opposites, semblance and actuality can coexist in music and, in a sense, even reverse roles. That is, the immediacy of sound can create a semblance of music as a non-representational art form, and the many semblances created by music corroborate the actuality of music as a complex system of signs. It is the tension between these two ontologies of music that I hope will energise this recording. (Thomas Reiner)
Duration: 66 min.
Liner includes program notes.
Related products
Score: Semblance of innocence in a ruptured dwelling : for clarinet, piano and cello / Thomas Reiner
Score: Sweet-spots : concerto for contrabass clarinet and ensemble / Thomas Reiner.
Score: Sweet-spots : for flute, clarinet and guitar / Thomas Reiner.
Parts: Sweet-spots / Thomas Reiner.
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