Sound scripts : volume 5 (2016) / edited by Cat Hope, Adam Trainer and Susan Studham.
Australian Works and Artists Analysed in this Book
||Ceremony II (1989) by Roger Smalley|
||Monody (1972) by Roger Smalley|
Contents note: The Western Australian New Music Archive: an ongoing journey / Cat Hope -- Shared cultural space: building a new music archive / Stephen Adams -- We could play that last century: archiving 20th century digital performing arts in Western Australia / Meg Travers & Cat Hope -- John Exton: his compositional legacy revisited / Stephen Benfall -- Regional Western Australia and sound art: a survey of works by Alan Lamb and Ross Bolleter / Talisha Goh & Cat Hope -- Forging a singular musical path: the compositional explorations of Mark Cain / Robin Ryan -- 'Electrodroneglitchbeatz': experimental electronica in Perth 1995-2010 / Adam Trainer -- Noizemaschin!!: a new model of live perfomance in Perth, Western Australia from 2011 to the present day / Sam Gillies & SKot McDonald -- Collaborate, cooperate or coordinate?: the explorations of a West Australian jazz trio / Johannes Luebbers -- Methodologies in collaborative improvisation / Dane Yates -- Building bridges on international composer-performer colalboration / Dominik Karski -- Role-play and invariance: two aspects of ritual in Roger Smalley's 'Ceremony II' / Ben Christiansen & Lindsay Vickery -- The role of ring modulation in the formal structure of Roger Smalley's 'Monody for piano with live electronic modulation' / Lindsay Vickery.
Includes bibliographical references.
Proceedings of the 2015 Totally Huge New Music Festival Conference, held in Perth.
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