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Work

Flame and Shadow

by Anne Cawrse (2019)

Score Sample

View a sample of the score of this work
This sample is from the Soprano with chamber ensemble version of this work

Audio Sample

Performance by Bethany Hill, Jamie Cock from the CD Selected Works by AMC Represented Artists, vol. 123.

This sample is of the Soprano with piano version of this work

Versions of this work

Select from the following versions of this work to view more detailed information:

- Soprano with chamber ensemble

- Soprano with piano

Products featuring this work

Format Title Version AMC Library Price  

Parts

Flame and Shadow : for soprano, violin, clarinet and piano / Anne Cawrse ; words by Sara Teasdale.

Soprano with chamber ensemble Not for loan $53.14 Add to cart

Score [ePDF]

Flame and Shadow : for soprano, violin, clarinet and piano [eScore] / Anne Cawrse ; words by Sara Teasdale.

Soprano with chamber ensemble Not for loan $30.27 Add to cart

Score

Flame and Shadow : for soprano, violin, clarinet and piano / Anne Cawrse ; words by Sara Teasdale.

Soprano with chamber ensemble Available for loan $40.32 Add to cart

Score

Flame and Shadow : for soprano and piano / Anne Cawrse.

Soprano with piano Available for loan $32.14 Add to cart

CD

Selected Works by AMC Represented Artists, vol. 123.

Soprano with piano Available for loan Non-Commercial  

Work Overview

The text for this work is taken from four poems (three complete, one extract) from American lyric poet Sara Teasdale's fifth collection of poetry, 'Flame and Shadow' (1920).

The words speak of beauty, of true knowledge of self, and of the somewhat enigmatic and curious process of creating- in particular, how what you create connects to and is a part of who you are.

The resultant work is like a song cycle, with each individual 'song' developing its own musical material. All four sections are sprinkled with flickers of light and harmonic warmth, heard alongside more subdued and hazy moments. The harmonic language of the work relies heavily upon intervals of 4ths and 5ths, and it was my intention to juxtapose passages of 'closed' sound against that of 'open' sound, as the note sets created by the perfect intervals contract and expand according to what I perceive as the direction of the text.

Work Details

Year: 2019

Duration: 16-17 min.

Performances of this work

31 May 2020: at PLEXUS:Panacea (Live streaming event (online only)). Featuring Greta Bradman, Plexus Ensemble.

16 Sep 2019: at The Firm New Music - Concert 2 (Elder Hall). Featuring Bethany Hill, Jamie Cock.

9 Mar 19: Storey Hall, RMIT University, Melbourne. Featuring Greta Bradman, Plexus Ensemble.

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