Enter your username and password

Forgotten your username or password?

Your Shopping Cart

There are no items in your shopping cart.


Lux aeterna : SATB choir

by Paul Stanhope (1999)

Score Sample

View a sample of the score of this work

Audio Sample

Performance by Cantillation (Musical ensemble), Paul Stanhope from the CD Songs for the shadowland

Selected products featuring this work — Display all products (2 more)

Lux Aeterna

This item is available for sale but is currently unable to be purchased online.
Please contact our Sales Department to place an order.


Lux Aeterna : Sydney Chamber Choir / Paul Stanhope.

Library shelf no. CD 2884 [Not for loan]

Lux aeterna


This item may be available to purchase from the Australian Music Centre.
Please contact our Sales Department to confirm pricing and availability.


Lux aeterna : for mixed voices (SATB divisi) a cappella / [music by] Paul Stanhope.

Library shelf no. 782.55525/STA 1 [Available for loan]

Display all products featuring this work (2 more)  

Work Details

Year: 1999

Instrumentation: SSAATTBB choir.

Duration: 6 min.

Difficulty: Medium — Amateur.

Commission note: Commissioned by St Peters Chorale, Graeme Morton.. Commissioned in memory of Ben Wilson, a member of St Peters Chorale (1996-1999)

Text drawn from the 'Agnus Dei' in the Requiem Mass.


Lux aeterna, by Paul Stanhope


Performances of this work

4 Aug 2013: at BCCMF: In Paradisum (St John's Cathedral, Brisbane). Featuring Brisbane Chamber Choir.

20 Aug 2011: at Brisbane Chamber Choir in Concert (St John's Cathedral, Brisbane). Featuring Brisbane Chamber Choir, Graeme Morton.

User reviews

Add your thoughts to the discussion of this work.

To post a comment please login.

Beautifully crafted, and beautifully sung

Posted by Chris Williams on 21 November, 2013

What a great piece! I heard it on the Music Show and wanted to know more. What pleases me most is that the initial attractiveness reaps rewards upon closer listening. The structural coherence combines elegantly with clear, intelligent text setting. I am particularly struck by the moment where the initial musical idea returns, in a completely different register with the “cum sanctis...” (around 2:16 in the video). Beautifully crafted, and beautifully sung.


P.S. Should the fourth notes in the alto part at bar 55 be a B flat? It sounds to me like that is what is being sung, but the flat seems to be missing from the score.