Login

Enter your username and password

Forgotten your username or password?

Your Shopping Cart

There are no items in your shopping cart.

Work

Land of Cruelty : for amplified, ring-modulated oboe soloist and orchestra

by Peter McNamara (2018)

No products are available for this work

The Australian Music Centre's catalogue does not include any recordings or sheet music of this work. This entry is for information purposes only.

Materials for this work may be lodged in our collection in the future. Until then, any enquiries should be made directly to the composer/sound artist or their agent.

Work Overview

Land of Cruelty is an experimental work written for oboe soloist and orchestra. It is dedicated to Sydney Symphony oboist Shefali Pryor, and incorporates a form of real-time electronic processing to the soloist's part known as ring-modulation. This occurs when the amplified signal of the oboe soloist is multiplied together with a modulating frequency provided by an obligato double bass player, creating a harsh but vivid sonority reminiscent of the Australian landscape.

Land of Cruelty's narrative is the depiction of harsh landscape transitions evident in our continent where an area can be densely covered in life one year, but completely dry and devoid of life the next. The oboe soloist is the navigator of this journey and depicts the 'voice of the land', with much of its melodic material influenced by transcriptions of Australian Aboriginal melodies. The pitches of one melody entitled Malayah (quoted at the opening and closing of the work) are multiplied together to create the various ring-modulated effects. Each section of the work is defined by a ring-modulated sonority realised by the oboe soloist and double bass that is then re-synthesised by the orchestra before transitioning into a more harmonious sonority. These orchestrated colours provide a sonic canvas, crafted and moulded over time, over which the oboe soloist is placed.

The creation and presentation of Land of Cruelty was made possible through the 2015 Australasian Performing Rights Association Professional Development Awards (APRA PDAs).

Work Details

Year: 2018

Instrumentation: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 2 trombones, tuba, timpani, percussion (1 player), solo oboe, strings, digital ring-modulation AudioMulch software patch run from a computer.

Duration: 14 min.

Difficulty: Medium — Suitable for non-professional orchestras, professional standard performer required for oboe soloist part.

Dedication note: Dedicated to Shefali Pryor

First performance: by Shefali Pryor, Sutherland Shire Symphony Orchestra, Anthony Clarke — 8 Dec 19. Sutherland Entertainment Centre, Sutherland NSW

The composer notes the following styles, genres, influences, etc associated with this work:
Spectral music, real-time electronics, Australian landscape

Performances of this work

8 Dec 19: Sutherland Entertainment Centre, Sutherland NSW. Featuring Shefali Pryor, Sutherland Shire Symphony Orchestra, Anthony Clarke.

User reviews

Be the first to share your thoughts, opinions and insights about this work.

To post a comment please login.