Opia : chamber ensemble
by Kirsten Milenko (2018)
No products are available for this work
The Australian Music Centre's catalogue does not include any recordings or sheet music of this work. This entry is for information purposes only.
Materials for this work may be lodged in our collection in the future. Until then, any enquiries should be made directly to the composer/sound artist or their agent.
An analysis of the phenomenon 'opia' as coined in the Dictionary of Obscure Sorrows, defining neologisms for emotions that do not otherwise have a descriptive term.
The piece is presented in three movements: (i) establishing an intimacy between observer and the observed, (ii) blurring the lines between each perspective of observation, (iii) the interactions between these two perspectives and their previous experience defining the framework for thought patterns. Shadows and light move together as one to form a cohesive whole.
Opia (n.) "the ambiguous intensity of looking someone in the eye, which can feel simultaneously invasive and vulnerable - their pupils glittering, bottomless and opaque - as if you were peering through a hole in the door of a house, able to tell that there's someone standing there, but unable to tell if you're looking in or looking out."
[The Dictionary of Obscure Sorrows]
Instrumentation: Chamber Ensemble (String Quartet, Wind Quintet, Percussion).
Duration: 12 min.
Contents note: (i) Dusk -- (ii) Rêverie -- (iii) Dawn.
Dedication note: Dedicated to Esbjerg Ensemble. Dedicated to Esbjerg Ensemble
Commission note: Esbjerg Ensemble for Pulsar Festival 2018
The composer notes the following styles, genres, influences, etc associated with this work:
Nature, Soundscape, Performance Art
Performances of this work
Be the first to share your thoughts, opinions and insights about this work.
To post a comment please login.