Login

Enter your username and password

Forgotten your username or password?

Your Shopping Cart

There are no items in your shopping cart.

Work

Finding Kensho : chamber orchestra

by Daniel Portelli (2012)

Finding Kensho

$54.14

Add to cart

Score

Finding Kensho / Daniel Portelli.

Library shelf no. 784.3/POR 1 [Available for loan]

Finding Kensho

Hire Only

This item is available from our hire library.
Please contact our Hire Department to enquire about pricing and obtain this item.

Work Overview

Finding Kensho is based on a story about a Zen student who sets out to reach kensho (seeing one's nature or true self). The student, surrounded by nature, meditates, going through intense emotional processes of rigorous introspection and blissful self‐revelations. Drawn in by these fulfilling experiences, and without realizing, the student's perception of reality becomes distorted, riddled with doubt, manifesting in strong hallucinations and delusions. Guided by a master, the student must over come this great affliction to reach 'true kensho'. The hallucination stage of this practice translates into English as 'ghost cave'. The realisation of 'true kensho' is that there is no kensho to begin with, only an illusion of self.

Based on the practice of Hakuin Ekaku (1686 ‐ 1768) who saw that the psychological pressure and doubt that comes when one struggles with a koan (a practice towards kensho) is meant to create tension that leads to awakening. Hakuin called this the "great doubt", writing, "At the bottom of great doubt lies great awakening. If you doubt fully, you will awaken fully".

I am not a practicing Zen Buddhist but I see this story as having an allegorical universality with ideas s such as intensively searching for something that does not exist and the importance of journey, reflecting my own personal experience, among others.

The composition's fluidity is inspired by Gagaku, the imperial court music of Japan, and from that there are disturbances, mirroring my interest in East‐Asian and Western art music confluence. The piece also draws from various bird calls which can be perceived as slowly developing into distorted impressions of the students mind.

Work Details

Year: 2012

Instrumentation: Flute (doubling piccolo), oboe, 2 clarinets in Bb (doubling bass clarinet), bassoon, 2 horns in F, 2 trumpets in C, trombone, tuba, timpani, percussion (2 players), harp, strings (4 violins, 2 violas, 2 cellos, double bass).

Duration: 9 min.

Difficulty: Advanced

Dedication note: Dedicated to Nigel Butterley. Dedicated to Nigel Butterley for his mentorship during the creation of this work.

Commission note: Developed during the Cybec 21st Century Australian Composer Program in 2011.

First performance: by Melbourne Symphony Orchestra — 28 Jan 12. Iwaki Auditorium, ABC Southbank Centre, Melbourne

Performances of this work

28 Jan 12: Iwaki Auditorium, ABC Southbank Centre, Melbourne. Featuring Melbourne Symphony Orchestra.

User reviews

Be the first to share your thoughts, opinions and insights about this work.

To post a comment please login.