Login

Enter your username and password

Forgotten your username or password?

Your Shopping Cart

There are no items in your shopping cart.

Stephen de Filippo : Associate Artist


Photo of Stephen de Filippo

Photo: Kane Tenadii-Hay (2021)

Email:

Stephen de Filippo is a composer from the South West region of Western Australia. Working in both acoustic and electronic-acoustic domains, Stephen's compositions centre on experimental performance practice, considerations on place, and often, a notational style that utilises time durations as an alternative to conventional metre. In addition to composition, Stephen performs with a megaphone - projecting liminal sounds, and is also undertaking a research project that considers the development of Australian musical nationalism as a response to the concept of cultural cringe. Stephen is currently a doctoral candidate at the University of California, San Diego, and has recently relocated to Boston to undertake a year-long fellowship at Harvard University's Department of Music.


Stephen de Filippo — current to February 2023

Selected Commissions

  Work Commission Details
Pop Blocks : for wood blocks (3 players) & electronics (2023) Composed with support from the American Australian Association & The Government of Western Australia Department of Local Government, Sport & Cultural Industries
Spectral Breathing Apparatus : for solo wind instrument (w/o mouthpiece) & electronics (2022) This work is supported by APRA AMCOS’ Art Music Fund & The American Australian Association.
Stone Compression : for violin, megaphone & electronics (2022) Composed in participation in the 78th Composers Conference and this work were supported in part by the American Australian Association Arts Fund
contasted moments : for Piccolo, Clarinet, Percussion and Violin (2022) for Ensemble Recherche
Micropraxis : flute solo (2020) Composed as part of the Vox Novus 15-minutes-of-fame project
Digital sheet music sample Star Picc : for amplified piccolo, vocoder, tape and a big drum (2019) Commissioned with support from Andrew Boyle