Event
ELISION in Taiwan: On the fringe of noise and silence
- Date: Friday, 31 May 2019, 7:30pm
- Venue: National Concert Hall, Taipei — Taipei, Taiwan
Event Details
Aaron Cassidy Self-Portrait, Three Times, Standing (15.3.1991–20.3.1991) (2019) 11′ for saxophone, trombone, piano, and contrabass
Annie Hui-Hsin Hsieh Creased Impressions on the Imagined Surface of Becoming (2018/19) 20′ for flute, oboe, clarinet, saxophone, trumpet, trombone, percussion, piano, violoncello, and contrabass
Wei-Chieh Lin Erosion (2018/19) 15′ for bass flute, oboe, bass clarinet, alto saxophone, trumpet, trombone, percussion, keyboard, violoncello, and contrabass
Chih-Liang Lin Come to an End (2018/19) 10′ for bass flute, bass clarinet, trumpet, trombone, percussion, violoncello and contrabass
Liza Lim How Forests Think (2016) 32′ for 37-pipe sheng, flutes, oboes, clarinets, alto saxophone, trumpet, trombone, percussion, violoncello, and contrabass
Further information for this event is available online at the event's website
Featured Australian Works
| Creased Impressions on the Imagined Surface of Becoming (10+ players: brass, keyboard, percussion, string, woodwind) (2019) by Annie Hsieh — World premiere — performed by Elision Ensemble | |
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| How forests think : for sheng and ensemble (2016) by Liza Lim — performed by Elision Ensemble |
Featured artists
- Performer Elision Ensemble
Featured non-Australian music
Cassidy, Lin, Lin
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