Enter your username and password

Forgotten your username or password?

Your Shopping Cart

There are no items in your shopping cart.

Slow Flight : Brisbane Music Festival 2019


Slow Flight : Brisbane Music Festival 2019

  • Date: Wednesday, 11 December 2019, 7-9pm
  • Venue: Bowen Terrace Studio — 356 Bowen Terrace, New Farm, QLD
  • Series: This event is part of the Brisbane Music Festival 2019 series
  • Tickets: Adults: $40 | Children: $32 | Concession: $20 — Tickets can be purchased online

Event Details

A collection of seven miniatures for double bass and piano, Suspended Preludes by Australian composer Andrew Schultz creates an intoxicating and sensual sound world, sculpting sonic nuance from the depths of the piano range and a plethora of extended techniques. The bass and piano are timbrally united, in each miniature exploring a universe entirely different to that which preceded it.

Swiss composer Beat Furrer’s music has the tendency to restrict itself to hints, a stuttering musical dialogue that is in constant search of stability, only to crumble upon itself at points of potential momentum. Phasma is no exception. Alternating between moments of speech-like rhythmic counterpoint and lush scalic flourishes, the music is in search of a destination only to have this illusion unveiled at the eleventh hour as phantom. A gripping journey that at its very core is eternal and infinite.

Pierre Boulez’s Sonatine for flute and piano is rather short. Despite its brevity, it is imbued with a cyclonic intensity that is made all the more vivid through the constant flux and elasticity of its temporal discourse. Despite its rigid serialist construction via use of the twelve-tone technique, the character of the music is always to the fore with lilting figures juxtaposed with constant aggressive flurries of virtuosity.

Composer and guitarist Liam Flenady is a name which carries ever-increasing weight within the realm of Australian music. Writing unashamedly complex scores, his music speaks through a multiplicity of harmonic, rhythmic, and structural constructs – a compositional tower of Babel that through virtue of information-overload, succeeds in being remarkably direct with it’s emotional intentionality. Oikeios Topos (Greek) relates to the relationship between humans and nature, or more specifically, the relations of capitalism versus life-making. 

Ticket price includes a complementary drink and light refreshments at interval.


Andrew SchultzSuspended Preludes, Op. 49
Beat FurrerPhasma **


Pierre BoulezSonatine for flute and piano
Liam FlenadyOikeios Topos *

* World Premiere / ** Australian Premiere


Jonathan Henderson – Flute
Marian Heckenberg – Double Bass
Alex Raineri – Piano

Featured non-Australian music: Beat Furrer, Pierre Boulez

Further information for this event is available online at the event's website or by phone on 0405 900 715 or by email to brismusicfestival@gmail.com

Featured Australian Works

Suspended preludes, op. 49 : for double bass and piano (1993) by Andrew Schultz
— performed by Alex Raineri and Marian Heckenberg
 Oikieos Topos by Liam Flenady — World premiere

Featured artists

User reviews & comments

Be the first to share your thoughts, opinions or insights about this event.

To post your comment please login