- Date: Thursday, 3 November 2016, 7:30pm
- Venue: Elisabeth Murdoch Hall — Melbourne Recital Centre, Cnr Southbank Blvd & Sturt St, Southbank, VIC
- Tickets: Premium: $115 | Adult: $100-$60 | Concession: $50 (booking fees apply) — Tickets can be purchased online or by phone on (03) 9699 3333
Born following the Cultural Revolution, an era where Western music and instruments were banned, the fascinating story of Fei’s rise to the world stage is that of a musical pioneer.
She was the first ever guitarist in China to enter a music school, and became the first to launch an international professional career. Her prodigious talent came to the attention of John Williams who donated two of his own guitars to her conservatorium. Since then, she has been impressing audiences around the globe with her exquisite sound and powerfully emotional performances of repertoire both old and new.
The guitar is a world traveller, with a versatility that can take it with ease from 18th-century Germany to the beaches of Brazil. The guitar was still being perfected when Bach wrote his suites for its cousin the lute, but naturally guitarists have adopted these Baroque masterpieces for themselves. From the guitar’s heyday, Granados’ Poetic Waltzes make the leap from virtuoso piano work to an even more dazzling guitar showcase in Fei’s arrangement, revealing perhaps that Granados had the elegant and mellow sound of the guitar in mind all along. The guitar also found an ideal home in the New World, becoming integral to the music of Brazil, as heard in Villa Lobos’ many folk-tinged guitar pieces, and of course the bossa nova of Jobim and company. Its rainbow of sonic colours, its expressive voice and its brilliant exponents have extended the guitar’s global reach to Asia and Australia. The guitar is an ongoing source of inspiration to composers, here represented by the celebrated Ross Edwards who has composed a new work especially for Fei – an exquisite next step in the guitar’s journey.
Marshall McGuire, Head of Artistic Planning on Xuefei Yang:
In 2014, Xuefei Yang played Rodrigo’s Concierto de Aranjuez with the MSO, and I found her performances to be so intimate, beautiful and compelling that it was agreed she must appear in this year’s Great Performers. The guitar has such a unique way of reaching out across styles and genres, and in her hands her instrument becomes a master story teller. Her virtuosity is astonishing, and her musicianship outstanding. We close a great season by bringing you one of the great guitarists of the world.
Presented by Melbourne Recital.
Lute Suite BWV1006a
Enrique Granados (arr. Xuefei Yang)
Melbourne Arioso (world premiere)
Chinese Traditional (arr. Xuefei Yang)
Fisherman at Eventide
From Suite populaire brésilienne: Mazurka-Chôro, Valsa-Chôro & Schottisch-Chôro (1948 version)
Uma Valsa e Dos Amores
Xodó de Baina
Antônio Carlos Jobim
Modinha e Luiza (arr. Raphael Rabello)
A Felicidade (arr.Roland Dyense)
Manhã de Carnival (arr. Baden Powell & Brian Hodel)
Lamentos do Morro (arr. Raphael Rabello)
Featured non-Australian music: J.S. Bach, Enrique Granados, Villa-Lobos, Dilermando Reis, Antônio Carlos Jobim, Luiz Bonfá
Further information for this event is available online at the event's website or by phone on (03) 9699 3333
Featured Australian Works
|Melbourne arioso : for solo guitar (2016) by Ross Edwards — World premiere|
— performed by Xuefei Yang
- Performer Xuefei Yang
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