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Agglomeration Of Measurement


Agglomeration Of Measurement / Eugene Ughetti.

  • Published by Room40 — 31 July, 2020 [RM4126] — 1 CD (57 min.)
  • Sales Availability: This item is available for sale but is currently unable to be purchased online.
    Please contact our Sales Department to place an order.
  • Library Availability: CD 3133 — Available for loan


This item is available for sale but is currently unable to be purchased online.
Please contact our Sales Department to place an order.

Featured Australian works

  Work Composer PerformersDuration
An Elemental Thing (2017) for solo woodblock Liza Lim Eugene Ughetti 13 mins, 31 sec.
March Static — duos: flute, percussion Thomas Meadowcroft Eugene Ughetti, Claire Chase 11 mins, 39 sec.
Hypnagogics for percussion Anthony Pateras Eugene Ughetti 8 mins, 4 sec.

Also includes: Twin Resistance / James Rushford -- TRANSDUCER (finale) / Robin Fox and Eugene Ughetti -- Tremolo / Alexander Garsden.

Product details

This album is a distillation of the many long-term relationships I've had with Australian composers. The music forms a body of work, spanning fifteen years, that provides a glimpse into my percussive language and a twenty-first century Australian percussion sound.

In many instances the pieces on this album were the germ for larger scale compositions and collaborations, forming some of the major works for Speak Percussion, the organisation I currently direct. Sitting around these solo works are other percussion solos, trios, quartets, sextets, twelvetets, mixed ensemble works and an opera. Each of these projects have cumulatively deepened my creative rapport with the represented artists.

Major works of note include Liza Lim's Atlas of the Sky (opera for solo soprano, 3 percussion soloists and 20 person crowd), Alex Garsden's tolle lege, tolle legeā€¦ (spatialised percussion quartet with electronics), a co-composition with Robin Fox entitled TRANSDUCER (quartet, live electronics and eight channel speaker system), James Rushford's Whorl Would Equal Reaches (percussion sextet with electronics), Thomas Meadowcroft's So Long Country (mixed ensemble and electronics) and Anthony Pateras' Flesh and Ghost (percussion twelvetet), among others.

I am attracted to sound that speaks more to concept than to musical convention and in performance more than concert. In Agglomeration of Measurement my artistic practice is articulated through experimental techniques exploring feedback, microtonality, micro-percussion, post instrumental practice and an investigation into broader non-musical concepts.

I am indebted to these composers for their exceptional artistry and collaboration and to Speak Percussion for providing the extraordinary platform for these works to flourish.

Duration: 57 min.

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